Showing posts with label Simon Trumble. Show all posts
Showing posts with label Simon Trumble. Show all posts

Friday, August 3, 2012

The bridge

(Rachael Lucas) ABC Gippsland
Yesterday my brother Simon ceremonially cut the ribbon at the official opening of the majestic new Pearson’s Crossing steel suspension bridge across the Thomson River that connects Sale to Wurruk, not too far from Kilmany Park in East Gippsland. This is fitting, because as far as I can tell Simon is the only one of us who currently bears the name of Pearson, viz. Simon Tom Pearson Trumble. I must confess I am envious not to have been able to join the seven other descendants of our pioneering ancestor William Pearson who were also present, together with distinguished representatives of VicRoads (who built it), and members of the council of the City of Sale. Alas, it was just not possible, but somehow I feel I ought to have made a better effort.
(Rachael Lucas) ABC Gippsland

Sunday, August 9, 2009

Nicko


The week before last my eldest brother Nick had a temporarily incapacitating stroke whilst hiking with his wife Lesley and a group of fellow travelers in the MacDonnell Ranges not too far distant from Alice Springs in the Northern Territory.

It came on quite suddenly, and within an hour or two Nick was completely paralyzed down the left side, and stranded near the summit of a high bluff. He had to be rescued by helicopter, and because there was only room for Nick’s stretcher on board, the pilot, and a nurse, poor Lesley had no option but to continue hiking with the rest of the group until she could be driven into Alice Springs from the camp site later that night. She must have been frantic with worry.

Nick himself was pretty alarmed, too, because I gather the emergency room at Alice Springs Regional Base Hospital is quite bracing, even at the best of times. He recalls seeing beyond the hem of the green curtain next to him a pair of feet dangling over the edge of a neighboring bed—wearing ankle chains. On the other side, a Territorian policeman was piecing together a statement from an Aboriginal woman with two broken arms.

It is a measure of how much, or how little, actually happens in Alice that this shot of Nick appeared a few days later on the front page of the local newspaper, the Centralian Advocate. Mum was not at all pleased: “Couldn’t they have found a better photograph?”

Simon rang me with the news. By a strange coincidence he and his wife Mary Ann had been on a separate but rather less strenuous hiking holiday in the vicinity, and were able to see Nick in hospital upon their return to Alice. Fortunately, we have learned to preface any and all such disclosures on the telephone with the umbrella statement, “Everything is going to be all right,” but even so it was a shock.

Nick is fourteen and a half years older than me; Simon twelve and a half, and Hamish nearly nine. Actually there has never been a time when all three of my brothers have not loomed overhead, either physically (at first) but, in a larger sense, psychically also, as fully-fledged, remarkably talented adults, as different from each other as, indeed, I am from all three—although these days I think we are gradually beginning to notice the slightly unexpected similarities: more than a few vestigial remnants of Peter.

Simon was married well before I left prep school; Nick before I left high school, and Hamish soon afterwards. My eldest niece, Lucy, was born shortly before my tenth birthday. So I had the benefit both of growing up as a kind of only child, my long-suffering parents’ one-boy second family, if you like, and also the excitement and stimulus of belonging to a big family of much older siblings and their indulgent girlfriends, not to mention exotic uncles and thrilling aunts, all of whose whose dinner-time and summer holiday conversations, to which I listened intently and with pride, provided fascination—and also much to emulate.

It cannot have been easy having a precocious baby brother under their adolescent feet, but when, aged 11, I came under the spell of Abba—or, as Mum referred to them, maddeningly, “the Abbas”—there was a moment of crisis. Nick’s dismay at this unwelcome development prompted him to give me an AC/DC album, a plucky but forlorn attempt to rescue me from what he regarded as an awful vacuum of taste. However, my loyalty to Frida, Benny, Björn, and Agnetha being by then total, I responded defiantly by pretending not to know who AC/DC were, not perhaps the first moment of difficulty in our fraternal relations, but thankfully a low point from which we have since recovered.

I suspect Dad was wholly oblivious to Abba, and on the same subject Simon has always remained silent, but writing from La Rochelle, where he was spending the European summer with a pneumatic Swedish girlfriend called Pia, Hamish provided page after page of positive, elegantly handwritten reinforcement. I still have the letter. This was, I suspect, a creative experiment in reverse psychology, but it failed dismally: By then I actually wanted to be Frida. (Straight into the bathroom mirror: “No more... carefree... laugh-ter / Silence... ever... af-ter / Walking through an empty hou-ouse, bum-bum, tears in my ey-es [bum, bum-bu-bum, bum-bum] / Here is where the story e-ends, bum-bum, this is goodby-ay-ay-aye...” with imaginary microphone, exquisitely crafted Swedish accent, and much sleepy-eye and pout-work. I was bloody good.)

For some years until recently Nick played the sexy bass in a daringly nihilistic ad hoc post-punk band called Compost (“We Stink”). They did numerous gigs at the St. Kilda Bowling Club, and the Esplanade Hotel in St. Kilda to general acclaim. The Espy loved them because they sold an awful lot of beer. I treasure their CD, but I confess I do not often play it.

Fortunately it has taken only a few days for Nicko to recover most of the functions of the left side of his body, but when I eventually spoke to him he sounded pretty shaken. I suspect their four children are still rather shocked also. I’m told that strokes of this kind can occur among people even fitter and healthier than Nick, and occasionally much younger also. As strokes go, his was the sort you would wish to have, in other words not involving any kind of cerebral haemorrhage.

He’s back in Melbourne now, and tells me he rather misses the Alice Springs Hospital—but not all that much. I had wondered about the wisdom of flying back to Melbourne, but he says nothing would have induced him to repeat the experience of traveling by train from Alice to Adelaide aboard the famous Ghan, and thence to Melbourne on the Overland. As he remarked with feeling overnight, when you need to fly, you fly. Thank goodness he is going to be all right.

Sunday, December 21, 2008

Southern Light, Leaping Horses, and Cream


My only regret about living abroad is that I do not see nearly enough of my family. Here we are in 1965, surrounded by daisies near the dining room window at number 18 Denham Place. Nick is holding me, Simon is on the right, and Hamish is sitting on the top step.


The old house was demolished, and the pretty garden obliterated, in 1979, after their old friend Joe Palliser designed and built a new house for Mum and Dad on the site next door. In a way, that move was a tangible expression of changing circumstances, because by then all three of my brothers had left home, and I was still at school. 

I have many happy memories of the old house, including what must be my earliest: the sight through the wooden rails surrounding my cot of afternoon sunlight falling against the back of a pair of closed curtains in the front room. That room was for the time being, I think, an ad hoc nursery, and not Dad’s study where he liked to play old records, and potter around long after everyone else was asleep, which is how I remember it much later.


Those curtains were decorated with leaping black horses, and maybe a few small Chinese characters also, widely spaced against a buff-colored background, and I once had the startling experience of seeing an eerily similar design at the Metropolitan Museum of Art in New York, to which clearly most if not all aesthetic roads eventually lead.


Mum is there, too. I think she must have come in to open the curtains, and get me up from my nap, but what stands out is that bright shaft of southern light slanting over the back of the curtains, and the leaping horses.


There was a curvacious verandah at the front of the house, with a glorious wisteria trained along it, and a creamy pink cammellia adjacent. I also remember hearing the clip-clop of real horses, the draught horses from Woodmason’s Dairy.


It seems somehow incredible that, in the late 1960s, the milk bottles were still delivered to us each morning by horse and cart, even though the cart was equipped with sensible rubber tyres, ingeniously cannibalized from some old motor vehicle.


They came up Denham Place from the direction of Russell Street, and whether or not the gentle incline provided some gastro-intestinal stimulus, almost always the pair of horses left behind plenteous lumps of sweet-smelling fibrous manure right opposite the front gate, which Mum collected with a spade and put on the garden.


Sometimes Mum used to take me for a walk down to Woodmason’s Dairy near the corner of Glenferrie and Malvern Roads, to pay a visit to the horses in their stalls.


Mum has never permitted herself many luxuries, but one thing she loves perhaps above all else, and has done since she was a little girl living at Raeshaw, the family property near Sale in East Gippsland, is pure cream.


More often than not there was still a suggestion of real cream that formed at the top of Woodmason’s bottles of milk, and on the cap, which was made from aluminium foil. To open the bottle, carefully you depressed the cap with your thumb, and peeled it back.


As a little boy I adored watching Mum sometimes lick the little dollop of cream off the inside of the cap of a milk bottle, wearing an expression of unalloyed pleasure, to which she added a little staccato shrug—as if to acknowledge some vague sense of self-indulgence, even naughtiness.


The rightness and simplicity of our upbringing makes me now want to shower Mum with lavish gifts of cream, but her wholly uncomplicated enjoyment of what is now often cast as a substance almost as unwholesome as tobacco is dangerous—even while, as Nick rightly points out, coffee now comes in “tall,” “grande,” “venti,” etc., where once it came in a “cup”—is, I think, firmly grounded in sparing consumption.