The Tumbrel Diaries

Tuesday, January 24, 2012

Finger-twirlers

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Lately an excellent colleague of mine, an enormously learned young man, has directed my attention to Mrs. Piozzi [Hester, previously Mrs. Th...
Saturday, January 21, 2012

South 2

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The following day we approached the chalk cliffs between Seaford and Beachy Head. The most extraordinary aspect of this stretch of south coa...
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South

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Last weekend we stayed in a little cottage on the South Downs, hard by the ancient smuggling village of Alfriston, East Sussex. Two places, ...
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Saturday, January 7, 2012

Callas

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Among the assortment of old gramophone records that lived in Dad’s study at number 18 Denham Place was “Callas à Paris,” a collection of Fre...
Thursday, January 5, 2012

Princess Marie Louise again

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This rather beautiful drawing by Dame Laura Knight is coming up for sale late this month at Lawrences in Dorset, for next to no money. It sh...
Wednesday, January 4, 2012

Ronald Searle

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Ronald Searle has died at the great age of 91. By all accounts he felt oppressed by his enduring association with the Belles of St. Trinian...
1 comment:
Sunday, January 1, 2012

Happy New Year!

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New Year’s Day? It’s incredible. The accelerating rate at which it arrives! I suppose the reason for that is that each passing year forms an...
Friday, December 30, 2011

Vezdye, vezdye, on predo mnoyu!

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When I was a rather shy and extremely inexperienced undergraduate in the early 1980s, I indulged an immoderate enthusiasm ...
Wednesday, December 28, 2011

What did Thomas Woolner see?

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Just before Christmas I sent the following message to the editor of the Paris Review , hoping it might be included in the advice column in t...
Sunday, December 18, 2011

Brownie

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We go the whole way back, my bear and I. His name is “Brownie,” though I’m not sure why: The threads are dappled grey, not brown, with which...
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Angus Trumble
New Haven, Connecticut, United States
Angus Trumble will begin work as Director of the National Portrait Gallery of Australia on February 10, 2014. He has been Senior Curator of Paintings and Sculpture at the Yale Center for British Art in New Haven, Connecticut, since May 2003. Angus is the author of a number of books, including A Brief History of the Smile and The Finger: A Handbook, which has lately been published in New York by Farrar, Straus, and Giroux, in London by Yale University Press, and by Melbourne University Publishing. He is an occasional contributor to the Burlington Magazine, Apollo, and a more regular one to The Times Literary Supplement, the Australian Book Review, and Esopus Magazine.
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