The Tumbrel Diaries

Monday, November 28, 2011

Dad and documentation

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Lately I have commenced the awesome task of sorting through and identifying the Trumble family papers that are ultimately destined for the N...
Sunday, November 20, 2011

Thumb-nails

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A generous colleague from the Ohio State University has lately written to ask me whether, when writing The Finger: A Handbook , I had ever...
Saturday, November 19, 2011

The Agony Column Codes and Ciphers

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One of my favourite anthologies contains mostly brief items of correspondence, many of them in code or cipher, that were prin...
Friday, November 18, 2011

Sanjūsangendō

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I can count on the fingers of one hand the number of aesthetic experiences that one would willingly call life-changing—and I have a full set...
1 comment:

"A masterly portrait, and very like"

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I have been thinking quite a lot about portraiture lately, specifically an oddly widespread trope that crops up regularly in many British so...
Thursday, November 17, 2011

Hallelujah

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The Yup’ik are aboriginal people of the Russian Far East and of western Alaska. The village of Quinhagak, Alaska—population 680—is primarily...

The firescreens

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Lately I received a courteous message from a gentleman who recalled having been shown over the state rooms of Government House, Melbourne, b...
Wednesday, November 16, 2011

Eyes that follow you around the room

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One of the strangest art clichés that still circulates endlessly—and I heard it again yesterday uttered by somebody who really ought to know...
2 comments:
Tuesday, November 15, 2011

Donna Orietta

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I have only ever known one continental noblewoman, and even then only slightly. Somehow it seems absolutely right that I should have been in...
Sunday, November 13, 2011

The Ladies of Bethany

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The Ladies of Bethany, an order of Dutch nuns, were infinitely kind to me. I first met them when I stayed briefly in their guesthouse in Rom...
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Angus Trumble
New Haven, Connecticut, United States
Angus Trumble will begin work as Director of the National Portrait Gallery of Australia on February 10, 2014. He has been Senior Curator of Paintings and Sculpture at the Yale Center for British Art in New Haven, Connecticut, since May 2003. Angus is the author of a number of books, including A Brief History of the Smile and The Finger: A Handbook, which has lately been published in New York by Farrar, Straus, and Giroux, in London by Yale University Press, and by Melbourne University Publishing. He is an occasional contributor to the Burlington Magazine, Apollo, and a more regular one to The Times Literary Supplement, the Australian Book Review, and Esopus Magazine.
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