The Tumbrel Diaries

Tuesday, March 22, 2011

The enduring qualities of local stone

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On my perambulation through the Carlton Gardens last week, I came across a little monument that captures perfectly the puffiness and pride o...
Sunday, March 20, 2011

In Pleasant Remembrance

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When, I wonder, was the old Museum of Victoria turned into the rather different, definitely expedient, and colossally self-important “Melbo...
1 comment:

Loose ends

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After she died nearly sixteen months ago, Mum left behind very few loose ends. Helen made a lifetime’s habit of throwing things away, and a...
1 comment:
Tuesday, February 22, 2011

More from Nick in Saigon

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Inspecting the contents of the library in the old presidential palace in Saigon, this morning Nicko writes: “The palace was designed by a Fr...
Monday, February 21, 2011

GAY 900

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In the 1950s and 1960s, indeed throughout the rest of his life, our father indulged an immoderate enthusiasm for French automobiles, many of...
Saturday, February 19, 2011

The hyacinthine colour of the distance

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I am a sucker for Edwardian sentiment, and apparently so too was Margaret Wood, author of The English Mediaeval House (1964), which I have...
4 comments:
Friday, February 18, 2011

The snuff-box

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For as long as I can remember Mum used this kidney-shaped Georgian brass snuff-box to store pins inside her sewing basket. I am not quite su...
Friday, February 11, 2011

Thomas Cornelius Trumble

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Some time ago in these columns I remarked that Thomas Cornelius Trumble, the brother of our pioneering Irish great-great-grandfather Willia...
1 comment:
Friday, February 4, 2011

The token

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Among the detritus floating at the bottom of an old deed box inscribed “Rutherford Trust,” that Dad kept for years in his study at home in M...
Tuesday, February 1, 2011

Praise for Desda

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One of the only documented public performances by Desda, our great-great-grandmother, Jane Davies, took place on Friday evening, December 9,...
3 comments:
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Angus Trumble
New Haven, Connecticut, United States
Angus Trumble will begin work as Director of the National Portrait Gallery of Australia on February 10, 2014. He has been Senior Curator of Paintings and Sculpture at the Yale Center for British Art in New Haven, Connecticut, since May 2003. Angus is the author of a number of books, including A Brief History of the Smile and The Finger: A Handbook, which has lately been published in New York by Farrar, Straus, and Giroux, in London by Yale University Press, and by Melbourne University Publishing. He is an occasional contributor to the Burlington Magazine, Apollo, and a more regular one to The Times Literary Supplement, the Australian Book Review, and Esopus Magazine.
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