The Tumbrel Diaries

Sunday, October 25, 2009

Chapter Two

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Calm motions are essential for the smooth running of a vice-regal establishment, and in this respect Norman was a model aide-de-camp, self...
Saturday, October 24, 2009

Chapter One

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“Come in, Norman.” “Yes, Lady Sutherland.” “Sit down.” “Thank you, Lady Sutherland.” “I gather Foster has found something disagree...
Sunday, October 4, 2009

Kissing Their Rings

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Those who say that President Barack Obama’s standing in the world has been damaged by the decision of the International Olympic Committee ...
Saturday, October 3, 2009

O tempora, O mores

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Air travel has been intolerable for years, but this morning for me the process sank to new depths. Since 9/11 I have navigated security an...
1 comment:
Sunday, September 20, 2009

Malapropisms

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My malapropism collection is expanding. To (a) “one foul swoop”—or, I suppose, “one fowl swoop”—(b) “pet noire,” and (c) “it never seems t...
Saturday, September 19, 2009

Switching off the media

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This week I did what I should have done years ago—I got rid of the television. The cable man came today to disconnect me, and took away th...
1 comment:
Monday, September 7, 2009

Manuscript 3

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The snag with checking a large manuscript ( The Finger: A Handbook ) is that although you get better at it as you go along, you also start...
Sunday, September 6, 2009

Manuscript 2

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Morning tea, again. I am going through the corrected manuscript of The Finger: A Handbook and am beginning to piece together tiny flecks ...
2 comments:
Saturday, September 5, 2009

Manuscript

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This long weekend I am tackling the manuscript of my next book, The Finger: A Handbook , which has returned from the copy editor with gra...
Thursday, September 3, 2009

Caroline Matilda Sotheron at Sea

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In his Island to Empire: 300 Years of British Art, 1550–1850 , Ron Radford cleared up the problem of the identity of Caroline Matilda Sother...
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Angus Trumble
New Haven, Connecticut, United States
Angus Trumble will begin work as Director of the National Portrait Gallery of Australia on February 10, 2014. He has been Senior Curator of Paintings and Sculpture at the Yale Center for British Art in New Haven, Connecticut, since May 2003. Angus is the author of a number of books, including A Brief History of the Smile and The Finger: A Handbook, which has lately been published in New York by Farrar, Straus, and Giroux, in London by Yale University Press, and by Melbourne University Publishing. He is an occasional contributor to the Burlington Magazine, Apollo, and a more regular one to The Times Literary Supplement, the Australian Book Review, and Esopus Magazine.
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