tag:blogger.com,1999:blog-32008278559041709882024-02-18T21:20:34.729-05:00The Tumbrel DiariesAngus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.comBlogger639125tag:blogger.com,1999:blog-3200827855904170988.post-70913730489089485562013-12-31T15:02:00.000-05:002014-01-01T11:08:57.906-05:00Au revoir<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia;">In the second week of
February I shall take up the position of director of the National Portrait
Gallery of Australia in Canberra, having spent nearly eleven supremely
enjoyable years living in the United States and serving as curator then senior
curator of paintings and sculpture at the Yale Center for British Art here in
New Haven, Connecticut. There is a great deal to be done between now and then,
and, of course, in the years ahead I doubt I shall have enough time to maintain
this modest bloggy train of thought—such as it has been. By exchanging the old curatorial hat for the novel director’s, I shall in future speak more
directly for my institution and less often for myself, so you, my readers, may
wish from time to time to visit <a href="http://portrait.gov.au/">http://portrait.gov.au</a>
to see what we are up to. Looking back over the past five years I am astonished
to discover that I have dispensed several millions of words in this little
spot—and I can thoroughly recommend it as a discipline, and as a form of
recreation. One is occasionally astonished by the wide reach of this medium, by
its capacity to reignite old friendships, and to create new ones. For all of
this I am very grateful, and to all of you I say not goodbye but <i>au revoir</i>—and, of course, Happy New Year!</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com2tag:blogger.com,1999:blog-3200827855904170988.post-75033571645413402692013-11-17T11:01:00.001-05:002013-11-19T08:49:56.258-05:00Grace M. Fogg<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Georgia","serif";">Among the numerous bronze and
brass commemorative wall plaques in Christ Church, New Haven, my favourite
reads: “ELEVEN / STATIONS OF THE CROSS / WERE PLACED IN THIS CHURCH / BY THE
MUNIFICENCE OF / GRACE M. FOGG / IN MEMORY OF HER FATHER / EZRA D. FOGG / AND
HERSELF.” I have never felt compelled learn more about the munificent Miss
Fogg, I suppose because so much is hinted at in the inscription. The stations
themselves are impressively large, and carved in fine-grained sandstone,
possibly Portland. Miss Fogg paid for all but three. Which three? Did she have
some objection to certain of them on scriptural grounds (or lack of
these—although several more than three stations of the cross are absent from
the Gospels), or was this simply a question of firmness in the face of an unfortunate
budgetary overrun? The specificity of “eleven,” and not ten or twelve or some
other tally is so very intriguing, and I cannot imagine it may be attributed to
a pedantic executor. One senses that these are the words of Miss Fogg herself.
She was certainly not given to false modesty; the stations commemorate not only
her late father but herself too, hardly an afterthought. The desire to be
remembered after we are gone is natural and widespread, but few people take
steps to erect a church monument for that express purpose. I imagine Miss Fogg
was a doughty New Englander who did not hesitate to call a spade a spade. She
was evidently an only child. Perhaps in later years she concluded that nobody
would do her the honors if Miss Fogg did not see to it herself. I see that Ezra
D. Fogg was in 1899 president and treasurer of The Ezra D. Fogg Company at 87
Church Street, New Haven, wholesale lumber merchants (“SPECIALTY—Pine and
Spruce Boxes and Shooks, and Brick Pallets”). Shooks are lengths of wood sufficient
for one hogshead or barrel, prepared for use and bound up in a portable packet,
a sort of kit. At this date Mr. Fogg resided at 389 Edgewood Avenue in
Westville, not too far from me. I imagine Miss Fogg stayed there until she
died, interesting herself up to a point in the affairs of the parish—and
perhaps inadvertently terrorizing successive curates and churchwardens.</span><br />
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Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-22053394789701134172013-11-09T10:17:00.003-05:002013-11-09T12:48:59.954-05:00On the road<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia;">North American motorists
are among the worst I have ever encountered—over nearly 30 years driving
on both sides of the road in many countries spread across four continents as
well as on numerous islands. I am not sure
why this is so. Perhaps Americans learn to drive far too early—often at the age
of fifteen or sixteen—and are held to a breathtakingly low standard, mostly using
vehicles with automatic transmission. Many people
freely admit that they could not possibly operate a “stick-shift,” or manual. Parallel
parking is an almost complete mystery to them, for it is not part of the
test. All you have to do in Connecticut is to steer your nose through 90 degrees into a vacant spot in a parking lot, and finish up
somewhere between the two solid white lines. By contrast in downtown New Haven one
often witnesses the comic spectacle of people making five, six attempts to
parallel park, such that the end result is not parking so much as abandonment—four
or five impressionistically unaligned feet from the curb, sometimes more, having
for several minutes prior swooped, bumped, and zig-zagged, earnestly and
longingly, in the hope of attaining eventual success. In heavily built-up urban
environments they wander aimlessly between lanes, much encouraged
by the extra space provided by one-way streets with three or more wide lanes, divided by lines mostly ancient but occasionally still visible. They hesitate, or suddenly change their mind in the middle of busy intersections. They ignore pedestrian crossings completely and often run red lights,
as if these were merely advisory. They turn left from the right without indicating,
tracing a wobbling arc that delivers them in the end to an inside
lane at right angles, often against oncoming traffic, which is frequently ignored on the
assumption that those of us with the right of way will intuitively, even gladly
yield by braking sharply. On the interstate highway system, meanwhile, people steer their creaking
old bedpans, many the epitome of un-roadworthiness—hubcaps and bodywork
scraped, dented, battered, or missing; lights often broken or defunct—at 70
miles per hour and upwards when the speed limit is 55—aggressively tailgating, passing
on the wrong side (a much cherished and particularly dangerous habit here in Connecticut), safe in the knowledge that they will almost certainly not be
ticketed by any state troopers attempting to impose order. Motorists treat
huge lorries as if they are as maneuverable and responsive as a Corvette. </span><span style="font-family: Georgia;">You see many yelling illegally into their mobile phones, and sometimes even texting at the wheel.</span><span style="font-family: Georgia;"> </span><span style="font-family: Georgia;">Motorcyclists
are free from any obligation to wear helmets. These lethal habits know no distinction as to race, age, or gender; they
are universal. And every Saturday morning on National Public Radio a succession
of callers to </span><i style="font-family: Georgia;">Car Talk</i><span style="font-family: Georgia;"> (a program
that runs of out of Boston), seek guidance about some 1983 Corolla that has
clocked up 280,000 miles and is emitting smoke, or making an alarming noise, or
conking out suddenly and inexplicably on the open road. The roads themselves,
meanwhile, are pockmarked, bumpy, and shored up with dribbling lines of bitumen and stray gravel, or else clobbered and patched up in so ad hoc a manner that you wonder how the entire system can survive the punishment of another winter. The contrast between all this and the wilderness of late-model Mercedes
Benzes, BMWs, and Renaults one encounters nowadays in the eastern suburbs of
Sydney and Melbourne, or the velvety smoothness of our freeways, could not be
more stark, and provides an apt metaphor for the sluggishness and
malaise in which the United States’ economy is in many
sectors and many regions still </span><span style="font-family: Georgia;">immured</span><span style="font-family: Georgia;">—despite reassuring but mostly misleading noises from Washington and Wall
Street. It is equally if not more worrying that many people think, in the face
of all possible reason, that American drivers are, on the whole, pretty good,
and that American streets, roads, and highways are as safe as can be!</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-6585936095446171342013-10-29T09:53:00.001-04:002013-10-29T10:43:16.653-04:00Too early to say<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVwRRwcnd4QenEU0qeJUBuLbbL570ZsLWzByJPAdqQtKY8KleOXC7CBFZdRbvyotupIiYkwFtAlQFNZcndIzv7IFTvznTTQJIq1fW9wpqKiNqCE-NnB_C-8s1YvN_V-T-ngA6HQF-KCy1W/s1600/President-Nixon-with-Premier-Chou-En-Lai-25-Feb-19721.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVwRRwcnd4QenEU0qeJUBuLbbL570ZsLWzByJPAdqQtKY8KleOXC7CBFZdRbvyotupIiYkwFtAlQFNZcndIzv7IFTvznTTQJIq1fW9wpqKiNqCE-NnB_C-8s1YvN_V-T-ngA6HQF-KCy1W/s400/President-Nixon-with-Premier-Chou-En-Lai-25-Feb-19721.jpg" width="400" /></a></div>
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<i><span style="font-family: "Georgia","serif"; font-style: normal;">A journalist asked Premier </span></i><span style="font-family: "Georgia","serif";">Chou En-lai (Zhou Enlai) what, in his
opinion, had been the full impact of the French Revolution? Chou’s answer,
after a long and thoughtful pause, was: “It is too early to say.” A good one, no? Perhaps too good. Obviously this
anecdote gained traction in the wake of Vietnam, and ever since, as a measure
of the sage Chinese “long view,” but because it is repeated so regularly, and
with a suspicious array of variations—occasionally also attributed to Ho Chi
Minh, and even to Mao—I have become increasingly skeptical about its
authenticity. There is a whiff of orientalist fantasy, after all, to say nothing of plain condescension in the
broad historical conceit. Add to these a suggestion of facetiousness on </span><span style="font-family: "Georgia","serif";"><span style="font-family: "Georgia","serif";">Chou’s part </span>and the whole thing strikes a
false note. No doubt it held some appeal, too, for student radicals in the west to whom Chou was most appealing in the guise of Confucius, and not so much as master of the Party Congress. At last I think I have cracked it. According to Charles W.
Freeman, Jr., a retired American diplomat who acted as the official interpreter
for President Richard M. Nixon during his famous visit to China in February 1972, Chou made
his remark </span><span lang="EN" style="color: black; font-family: "Georgia","serif"; mso-ansi-language: EN;">to Nixon over lunch or dinner in Peking (as
it was then still known), during a rather delicate political discussion about
revolutions that had succeeded, and ones that had failed. These included the
Hungarian uprising of 1956 and the Prague Spring of 1968. According to Freeman it
was quite clear from the context that in saying it was “too early to say” Chou
was referring specifically to the upheaval that took place in Paris in May
1968, and not to 1789. There are other theories, for example that Chou made his remark to a French journalist at the Geneva conference in 1954, but I suppose this simply demonstrates the tendency of enjoyable snippets to take on a life of their own, and powerfully to resist clarification, correction, or debunking. I think we can safely predict that Chou will continue indefinitely to say </span><span lang="EN" style="color: black; font-family: "Georgia","serif"; mso-ansi-language: EN;"><span style="font-family: "Georgia","serif";">“</span>it is too early to say,</span><span style="font-family: "Georgia","serif";">” without any fear of contradiction.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-49646013546767289672013-10-28T15:28:00.000-04:002013-10-30T09:38:37.591-04:00The medallion<div class="separator" style="clear: both; text-align: center;">
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<![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">I have
been doing a lot of work lately on the material culture of Sydney in the first
decades of European settlement, about which there is a great deal to be learned
from lengthy advertisements placed in the earliest colonial newspapers.
However, I have also become wholly preoccupied with the so-called <span style="mso-bidi-font-style: normal;">Sydney Cove Medallion</span>—a work of art that
bridges the 10,000-mile gap between the brand new penal settlement and the beating heart
of Enlightenment England. Others have written at length about this object and
its variants, above all the late L. Richard Smith of the Wedgwood Society of New South Wales, but there is, I think, still much more to be said. </span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">The “First
Fleet” of eleven ships, under the command of Captain Arthur Phillip, R.N.,
arrived in Botany Bay on January 18, 1788. The very next day two French ships, <i style="mso-bidi-font-style: normal;">La Boussolle</i> and <i style="mso-bidi-font-style: normal;">L’Astrolabe</i>, commanded by Admiral Jean-François de la Pérouse, were
spotted out to sea. Eight days later, on January 26, as Phillip raised the
Union Flag at Sydney Cove in Port Jackson, and his officers did their best to hurry the rest of
the feet out of Botany Bay, the French dropped anchor there and received from
John Hunter a cautious but cordial welcome. The coincidence must have seemed
utterly astonishing, and probably not a coincidence at all</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">—although it was indeed purely a chance encounter</span>. Through February and early March Phillip set about establishing his
settlement. The most rudimentary </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">wattle-and-daub </span>shelters were built, for which
deposits of local clay proved useful but in due course, once the rain set in,
depressingly impermanent. However, before the French party
set sail on March 10—never to be heard of again—one of La Pérouse’s naturalists,
the Abbé Jean-André Mongez, a mineralogist, ornithologist, entomologist and chemist,
casually remarked to Phillip that this Sydney Cove clay might in due course be used to produce excellent pottery, or
even bone china. </span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">In due
course, on November 16, 1788, Phillip despatched aboard H.M.S.<i> <span style="mso-bidi-font-style: normal;">Fishburn</span> </i>a sample of this clay to Sir
Joseph Banks—repeating the Abbé’s positive assessment; stressing that it was
also used by the local Aborigines to decorate their bodies, and mentioning that
he would not have thought it worth sending except that Banks himself had
mentioned the substance in his account of Captain James Cook</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">’s</span> first circumnavigation (</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">1768–71)</span>—an intriguing but maddening reference because it cannot now be
traced. Since many of Banks’s positive assessments of the potential of Botany Bay had
proven so depressingly inaccurate, Phillip must have been relieved to be able
to furnish some confirmation of his account in the form of the clay, together
with samples of an unusual black mineral that had been discovered whilst digging a well.
This turned out to be “a species of plumbago, or black-lead.” The parcels
reached London in May 1789, and Banks immediately forwarded them to his
friend </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Josiah Wedgwood, </span>a fellow member of the Royal Society. Wedgwood</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">’s</span> Staffordshire
pottery, “Etruria,” near Stoke-on-Trent, was well accustomed to testing the properties of batches of
clay sent from all over England, Europe, and much farther afield—for example from China
and North America. </span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Wedgwood
soon found the Sydney Cove clay to be “an excellent material for pottery,” and
set about producing from it a small edition of commemorative medallions. The design was created
by Wedgwood’s in-house draughtsman Henry Webber, brother of the artist John
Webber who had sailed </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">with Cook aboard </span>the <i>Endeavour</i>, and the moulds were created by Wedgwood’s
principal modeler William Hackwood. The heavily classicizing bas-relief composition
was entitled “Hope encouraging Art and Labour, under the influence of Peace, to
pursue the employments necessary to give security and happiness to an infant
settlement.” This figure group on the recto carried the inscription “ETRURIA
1789,” and on the otherwise unadorned verso “MADE BY IOSIAH WEDGWOOD OF CLAY FROM SYDNEY COVE.” Thus
the Sydney Cove Medallion is evidently the only work ever signed and dated by
Wedgwood himself, a measure of the seriousness with which he undertook its manufacture. </span></div>
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<br /></div>
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<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">The first
batch of finished medallions were sent to Phillip aboard the second fleet, which set
sail on January 19, 1790, but Wedgwood also sent a specimen to his friend the
midlands physician and intellectual Erasmus Darwin. Responding to Wedgwood’s
invitation to compose some suitable accompanying verses, Darwin supplied thirteen
couplets in iambic pentameter entitled “Visit of Hope to Sydney-Cove, near Botany-Bay.” These were in
fact a slightly leaden pastiche of “Liberty,” by the Scottish poet James
Thomson (who also wrote the lyrics to Thomas Arne’s “Rule Britannia!”). Together with
an engraved vignette of Webber’s design, these appeared on the
title page of final part of <i style="mso-bidi-font-style: normal;">The Voyage of
Governor Phillip to Botany Bay, with an account of the establishment of the
colonies of Port Jackson and Norfolk Island</i>, printed in London at the end
of November 1789 by John Stockdale, sometime publisher to Dr. Samuel Johnson). </span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Any one of
these stout warp threads of Enlightenment England—Banks, Wedgwood, the Webbers,
Hackwood, Darwin, Thomson, Stockdale and, admittedly by very indirect association, Johnson—would be sufficient cause to
celebrate this, the first British fabrication of a work of art using Australian
raw materials. Being a set of multiples produced in the west midlands</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">, moreover,</span> it carries strong
associations with the Industrial Revolution. However, the additional
Anglo-French, and even Aboriginal dimensions of the episode, to say nothing of the fact that </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">in Sydney Cove </span>dire necessity<span style="mso-spacerun: yes;"> had been </span>the
mother of invention—all these converge on the medallion, and allow
it to make the case, however illusory, that the first British settlement in New
South Wales was indeed a project of the Enlightenment, and not merely the by-product of a cruel, corrupt and unwieldy eighteenth-century British criminal justice system, obsessed above all with relatively minor offenses against property.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-44942084215298128402013-10-22T12:01:00.002-04:002013-10-25T08:01:42.138-04:00Volodos and Mompou<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVflx7UBLZK-ZKc5Hqao0hTW1SWokp2DkJfd2-IrMfG8ix1gSbfqhs-5zRIYR9qjcV-DbReAwYTOZXHnGYA8jmqwNlQqSlid2czsg820Gb_fPJU4EqWfKOF98XKMQB15cG1ArHRnkvvhE/s1600/81MJ37J49gL__SL1429_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVflx7UBLZK-ZKc5Hqao0hTW1SWokp2DkJfd2-IrMfG8ix1gSbfqhs-5zRIYR9qjcV-DbReAwYTOZXHnGYA8jmqwNlQqSlid2czsg820Gb_fPJU4EqWfKOF98XKMQB15cG1ArHRnkvvhE/s320/81MJ37J49gL__SL1429_.jpg" width="320" /></a></div>
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<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Over the
past few years I have bought fewer and fewer CDs, mainly because I now have so
many that it seems perverse to add to an already unwieldy collection. However,
I find that my acquisitions, though far less numerous and frequent, have tended to
become more careful. Such is the case with the new Sony recording entitled <i style="mso-bidi-font-style: normal;">Volodos Plays Mompou</i>, which has
received, as far as I can tell, almost universal critical acclaim. I picked it
up the other day, and since then I have been listening to the pianist Arcadi
Volodos with an increasing degree of wonder, admiration, and delight. He is one
of those great artists whose technical brilliance and dazzling keyboard virtuosity
is matched by the deepest possible poetical insight and subtlety of thought—I wonder
why these qualities have so consistently combined and re-combined in the Russian character? In
this sense Volodos is just as at ease performing on the grand scale as he is in
miniature. One thinks of a mighty seascape in oils, as against one of
the barely even minimal effects in watercolour on a page in one of </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Turner</span></span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">’s</span> </span>small sketchbooks.
With these performances on the piano of short pieces by the Catalan composer
Federico Mompou (1893</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri;">–</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">1987), Volodos similarly demonstrates supreme command, if that is the
right word, over an intimate, impressionistic dream-scape of shadows, failing
light and softness, of murmured phrases of rare beauty and, indeed, of silence
itself. No pyrotechnics here, but rather an almost uncanny pianism with which
Volodos coaxes infinite colour from at times deceptively simple musical phrases, even single notes. As
the critic of the <i style="mso-bidi-font-style: normal;">Boston Globe</i> remarked—and
it is hard to forget this as you begin to absorb the entire program—“chords
melt into what Wallace Stevens called ‘the half colors of quarter-things,’” and
Volodos has chosen a sequence of pieces with such ingenuity that we are led gradually
from light into penumbral places, and, finally, to darkness. It would be
foolish to alight upon one short piece over and above all the rest, however I
will readily admit to occasional bouts of foolishness: Volodos is, like the
late Vladimir Horowitz, a great improviser, and his own transcription of
Mompou’s <i style="mso-bidi-font-style: normal;">Damunt de tu, nomes les flors</i>
(which means “Upon you only flowers”) strikes me as a work of genius twice over. It is rather like learning to listen, really <i>listen</i>, all over again.</span></div>
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<![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">In the earliest stages of the Great War, before British
casualties began to assume their calamitous scale, measures were taken to meet
the needs of imperial troops, above all
ordinary soldiers of the Indian army who were wounded in France. For this purpose the Royal Pavilion
in Brighton was turned into a military hospital, and arrangements made there to
accommodate the different dietary and other requirements of Hindu,
Sikh and Muslim patients. There seems to have been some notion that
the architecture of the Prince Regent</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">’s batty </span>Pavilion would provide more sympathetic
surroundings for these Indian troops, in other words make them feel more at home than in the
more humdrum surroundings of Rickmansworth or, indeed, the splendors of
Cliveden and other ad hoc military hospitals set up in great country houses. One must presume that a more sinister reason was the urge to sequester and separate these men along the colour line. Thus in December 1914, 345 Indian soldiers took up residence at the Pavilion.
Most of them recovered from their injuries, but several dozen soon died. The bodies of twenty-one Muslim men were buried in
accordance with Islamic rites at the Shah Jahan Mosque in Woking,
Surrey, but those of ten Hindus and Sikhs were taken from the Royal Pavilion to a
spot on the South Downs above Brighton, overlooking the English Channel—in the
middle of an exposed field belonging to the fourth Marquess of Abergavenny. A local undertaker, presumably in close consultation with old hands at the India
Office who knew about this sort of thing, was prevailed upon to build a ghat or
funeral pyre on which the remains were cremated, together with those of
forty-three other non-Muslim Indian casualties from other military hospitals in the district.
Their ashes were afterwards scattered in the English Channel; by ancient convention these must be
returned to the life-giving element of water. About a year later, Sir John
Otter, sometime mayor of Brighton, proposed the creation of a permanent monument over
the site of the ghat. His plan was approved by Sir Austen Chamberlain at the India Office, who agreed to share the cost of building it </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">with
the Brighton Corporation</span>, and a portion of the land was
in due course ceded to the council by Lord Abergavenny. Private fund-raising proceeded
throughout the war, though for obvious reasons at a gradually diminishing rate. At last, in April 1918, a design in Sicilian marble
was produced by a young Indian architect, E. C. Henriques, in close consultation
(until his death in 1917) with Sir Samuel Swinton Jacob, a pioneer of the
synthetic “Indo-Saracenic” style of Anglo-Indian architecture. The contract was awarded to a firm in Manchester, and the Chattri was unveiled
by the Prince of Wales on February 1, 1921, only a few months after the solemn interment in Westminster Abbey, </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">“amongst the kings,”</span> of the remains of the Unknown Warrior. </span><br />
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<span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">The Chattri is indeed a pungent place. Here, at the fringes of
gentle, quintessentially English pastures—and a slice of primitive England,
moreover, that enjoys inconceivably ancient associations—you follow a long
and, at times, almost invisible bridle-path to which the only access is a little turn-off </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">at Patcham</span>, a few hundred yards east of </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">the busy junction of
the A23 and the A27 Brighton Bypass</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">. Through an ordinary footpath gate, you walk a considerable distance up-hill until, passing over a succession of gentle
rises, finally, far from the nearest road, you catch your first glimpse of a white marble dome hovering in a
little wooded dale. Approaching nearer, the Chattri swims into full view—an elegant, slender pavilion, rising 29 feet to its finial from a plain square
base set upon gently graduated terraces. Eight square columns supporting the dome shear into elegant, slightly tapering octagonals exactly halfway up; the shallow drum and its broadly flaring lip are likewise boldly octagonal.
The plinth bears an inscription in English, Hindi, Punjabi and Urdu, the text
of which was composed by Sir John Otter. It reads: “To the memory of all Indian
soldiers who gave their lives for the King–Emperor in the Great War, this
monument, erected on the site of the funeral pyre where Hindus and Sikhs who
died in hospital at Brighton passed through the fire, is in grateful admiration
and brotherly love dedicated.” When we approached it quite early on a brisk weekday morning in late spring, a flock of black-faced sheep was
grazing peacefully in the compound, and low clouds scudded past admitting
occasional flashes of sunshine. It was as if, once within earshot of shells
exploding in northern France, the imperial story—the story of the Raj—had been
</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">partly </span>repatriated, and prematurely laid to rest in the pastoral bosom of Sussex.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-89596117634091180772013-10-20T14:29:00.000-04:002013-10-26T05:57:29.162-04:00Ball's Pyramid<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs1_KoIXPQAHEns5AY6Whz1AcKoKtnqU3uZdlG1MuYWz1EX2d8vOAtJo2zgRC15fWR6TP5Cndb3l3zf8bnAnCUBFtoPvw5-DJIYLeWfGENv1O4xxUE6ula5SMXqAm3hJAV1cTLyaLI_30p/s1600/IMG_0448.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs1_KoIXPQAHEns5AY6Whz1AcKoKtnqU3uZdlG1MuYWz1EX2d8vOAtJo2zgRC15fWR6TP5Cndb3l3zf8bnAnCUBFtoPvw5-DJIYLeWfGENv1O4xxUE6ula5SMXqAm3hJAV1cTLyaLI_30p/s400/IMG_0448.JPG" width="400" /></a></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">The soothing atmosphere of Lord Howe Island could not contrast more sharply than with the amazing
sight of Ball’s Pyramid, a vertiginous shard of rock that rises 1,844 feet out
of the Tasman Sea, approximately twelve miles southeast of Lord Howe Island. I took an alarmingly
small motor boat to inspect this strange place, and found it to be worthy of the
wildest imaginings of a Burke, a Beethoven, or a Byron—the perfect fodder for
the Romantic imagination: wild, impossible, unthinkable, and home only to vast
colonies of shearwaters and a particular type of stick-insect once thought to
be extinct. The ocean swell was considerable, and a school of porpoises joined
us for the last leg, not so much leaping playfully, as tumbling helplessly among the
whitecaps. It was far too rough for me to photograph them.<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvVyIYIkdUBhc61xt8_opbWRVMNPYT3LhhpPpWovv47IVS1ZJhDuRGDAMsNoBmO941Tf7oqeyZLzbbkPnWXjUmtZD2srs7JyyBKZz07tVDeT2SgX0GE_ayS1SvKD7ZuquLdvMYkEFUVsa3/s1600/IMG_0445.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvVyIYIkdUBhc61xt8_opbWRVMNPYT3LhhpPpWovv47IVS1ZJhDuRGDAMsNoBmO941Tf7oqeyZLzbbkPnWXjUmtZD2srs7JyyBKZz07tVDeT2SgX0GE_ayS1SvKD7ZuquLdvMYkEFUVsa3/s400/IMG_0445.JPG" width="400" /></a></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">As if conforming to my increasingly lurid imaginings, as we approached </span><span style="font-family: Georgia; mso-bidi-font-family: Helvetica;"><span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">this outcrop </span>a weird veil of cloud materialized around its summit, as if to proffer incontrovertible proof of its own dizzying height. </span><span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">This put me in mind of J. M. W. Turner, with grace notes of Franz von Stuck. Ball’s Pyramid and the rocks surrounding it are </span><span style="font-family: Georgia;">the remnants of an extinct volcano which few people have ever dared or even bothered to scale, although I gather this was once achieved in the 1960s by a party of brave students from the University of Sydney.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjql_P5Cy2fuFo9R1Ac_5P3mDSkdOhPxAPA3Fc4is1yjAplMyQOY4ruHlihWQ2WXONO-g73HTHGjAOklvXhU94VekT5RjZRiJFHZHLewIHV7p9oSRMwsSpCG4Eu7CPdLsUurL4RTJfz5skd/s1600/IMG_2397.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjql_P5Cy2fuFo9R1Ac_5P3mDSkdOhPxAPA3Fc4is1yjAplMyQOY4ruHlihWQ2WXONO-g73HTHGjAOklvXhU94VekT5RjZRiJFHZHLewIHV7p9oSRMwsSpCG4Eu7CPdLsUurL4RTJfz5skd/s400/IMG_2397.jpg" width="400" /></a></div>
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<span style="font-family: Georgia;">Perhaps the most thrilling thing, upon sailing around the southernmost part of the monolith </span><span style="font-family: Georgia;">and coming back around the other side, was this sight of Lord Howe Island to the north, reduced by distance to an </span><span style="font-family: Georgia;">almost</span><span style="font-family: Georgia;"> meaningless spec, a small bump in an increasingly dark and tempestuous sea. There are, after all, in these days of anodyne airlines, relatively few opportunities to experience the Conradian dimension of travel. Fortunately I do not get seasick.</span></div>
<!--EndFragment-->Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-22844219479636462672013-10-20T14:14:00.000-04:002013-10-21T10:51:13.579-04:00Lord Howe Island<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpxHbEqr65a-g4c-np9myChHuCrydh475fWGtvGVLJlBuO5qH6oWJ90pGQwbXu3gwAy_FTcb68Qe9xKNB9LRXYAcHhmC11tfg7rIAADo_UbGnBCnQlMya5XjZ9WZEwRL1aeLBoZ6xek3om/s1600/IMG_2340.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpxHbEqr65a-g4c-np9myChHuCrydh475fWGtvGVLJlBuO5qH6oWJ90pGQwbXu3gwAy_FTcb68Qe9xKNB9LRXYAcHhmC11tfg7rIAADo_UbGnBCnQlMya5XjZ9WZEwRL1aeLBoZ6xek3om/s640/IMG_2340.jpg" width="476" /></a></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Calibri;">Not long ago I visited Lord Howe Island, about 400 miles west-northwest of
Sydney in the middle of the Tasman Sea. </span><span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">Lieutenant Henry Lidgbird Ball, commander of
H.M.S. <i>Supply</i>, first discovered Lord Howe Island on February 17, 1788, while
sailing from Botany Bay to establish a penal settlement on Norfolk Island. On
the return journey Ball sent a party ashore to claim this hitherto unknown island as a
British possession; there is no evidence that Polynesian mariners ever visited
it. While today Norfolk Island remains an off-shore territory, Lord Howe Island is part of New South Wales, and indeed falls within the federal electorate of Sydney. In the 1820s the island became a provisioning point for the whaling industry,
and was permanently settled in June 1834.<span style="color: #092f9d;"> </span>The
present population is less than 350, and most of the islanders are descended
from those early whalers. The climate and vegetation are subtropical, and two
lofty mountains, Mt. Lidgbird and Mt. Gower (2,871 feet, farther distant) endow the place with its undoubted natural drama. <o:p></o:p></span></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Helvetica;"><br /></span></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Helvetica;">Leaving these more formidable features aside, it is impossible
to convey the air of serene isolation that soon overtakes the visitor to
Lord Howe Island—no telephone, no internet, no cell phone coverage: utter
peace. One or two vehicles pass along the single road from time to time, and a handful of bicycles. But otherwise lying in bed one hears only strange but appealing birdsong, the roar of the
surf on the windward side, and, from time to time, the peaceful lowing of cattle grazing on the
flats near the lagoon. I shall </span><span style="font-family: Georgia;">certainly </span><span style="font-family: Georgia;">go back.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP2Z6Nl0RDn82eoh18Rk9fsTdcKqWilaAnpyz8zs2L-osKQ60U9OwDce-o1XiRTmFHuFahuM959IktcisBWkU6lLW8GxGE6_2aPuupD7S3WLnyFkEGREEotbBeHW5Y5GIRfKzFAl3is6VC/s1600/IMG_2385.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP2Z6Nl0RDn82eoh18Rk9fsTdcKqWilaAnpyz8zs2L-osKQ60U9OwDce-o1XiRTmFHuFahuM959IktcisBWkU6lLW8GxGE6_2aPuupD7S3WLnyFkEGREEotbBeHW5Y5GIRfKzFAl3is6VC/s400/IMG_2385.JPG" width="400" /></a></div>
<br />Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-36439616304100438952013-10-20T13:46:00.000-04:002013-10-21T10:55:57.167-04:00The problem picture<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGfztbZ8v5I_ex-KJYnvj8YioFa2a7oslZp7HPqVrwj2xi7M3V52ohFIJD_6j6KmxbWz_2VyhGtOMoPk9fwYbruWi6qRDMw8WvsHiGpN3EKZNcPJJVJdn-Ruo5TzWjFrBjr6ln5ortR1W/s1600/John_Collier_-_The_Confession.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGfztbZ8v5I_ex-KJYnvj8YioFa2a7oslZp7HPqVrwj2xi7M3V52ohFIJD_6j6KmxbWz_2VyhGtOMoPk9fwYbruWi6qRDMw8WvsHiGpN3EKZNcPJJVJdn-Ruo5TzWjFrBjr6ln5ortR1W/s400/John_Collier_-_The_Confession.jpg" width="400" /></a></div>
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<span style="font-family: Georgia; mso-bidi-font-family: Calibri;">One of the last bays of our exhibition <i>Edwardian Opulence</i> was
dedicated to that now forgotten phenomenon the “problem
picture,” in other words paintings in which, quite contrary to the academic conventions
of Victorian history painting, the moral purpose of the scene or narrative was deliberately occluded. This was also the subject of an excellent essay in the catalogue by Pamela Fletcher. At best these Edwardian problem pictures raised
more questions than they answered, and for that very reason achieved widespread popularity. Their meanings were the subject of much speculation in the popular press. I suppose no coincidence, however strange,
ought to surprise me these days, yet I was astonished this morning to discover a reference to the problem picture in the
concluding portion of a confidential dispatch from Sir Andrew Noble, British
Ambassador to Mexico, to the Earl of Home, Secretary of State for Foreign and
Commonwealth Affairs, dated Mexico City, October 1960. Not perhaps the most
obvious source of light entertainment on a glorious morning in the fall, but the reason for this is that I
have been doing a little work on the Castle of Chapultepec in </span><span style="font-family: Georgia; mso-bidi-font-family: Calibri;"><span style="font-family: Georgia; mso-bidi-font-family: Calibri;">Mexico City,</span> which in 1864 the Emperor
Maximilian made his official residence. Anyway,
the relevant passage reads:</span></div>
<blockquote class="tr_bq">
<span style="font-family: Georgia; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold;">…The first post abroad in which I served was
Rio de Janeiro, almost thirty years ago. In those days the Diplomatic Service
regarded Latin America as a jungle, better perhaps than Central Africa, but no
more important in the scale of world values. We paid lip service to the
importance of the A.B.C. countries, Argentina, Brazil and Chile, largely
because of the important British investments, and therefore dividends, to be
protected; to be sent to any other Latin-American post was banishment. The
Service view was aptly parodied by a small picture hanging in the room of Mr.
Collier (now Sir Laurence Collier [1890–1976], the Head of the Northern
Department [and sometime British Ambassador to Norway, 1939–50]). This
reproduced one of his father’s problem pictures, which showed an older man
sitting behind a desk in serious pose; opposite him was a young man clearly
struggling with tortured apprehension. The caption below described the older
man as the Diplomatic Private Secretary, then master of our postings, and put
into his mouth the ominous sentence: “We want a really good man for Bogotá.”</span></blockquote>
<div class="MsoNormal">
<span style="font-family: Georgia; mso-bidi-font-family: Calibri;">If only I had fastened upon this, much as one might snatch a precious
jewel from the dustbin, in time to craft a suitable footnote for the catalogue,
or, better, to lob it to Pamela—so that she (and we) could demonstrate the long shelf life of the problem picture, even at the heart of Whitehall. Note
that Sir Andrew did not feel it necessary to name Sir Laurence’s artist father, the
Hon. John Collier, or indeed to apostrophize “problem picture.” Further evidence, if any were needed, that almost everything is connected and nothing much dwells in isolation.</span></div>
<!--EndFragment-->Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-22387775912962759982013-10-18T15:42:00.001-04:002013-10-21T11:00:43.157-04:00Newport, Rhode Island<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuBFwxi1ICBvriiiSsZMzUtOq6XeL9-vtloihWEmA0h3SON6b6sqrBJh43OA26GSgcPLi64asA7HPENoCBeVB_NIhBrHDS5uwIxsKceSw6MDN6oxfquBTUGxofd61kI79qU6F0l18hWz2I/s1600/9868-800.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuBFwxi1ICBvriiiSsZMzUtOq6XeL9-vtloihWEmA0h3SON6b6sqrBJh43OA26GSgcPLi64asA7HPENoCBeVB_NIhBrHDS5uwIxsKceSw6MDN6oxfquBTUGxofd61kI79qU6F0l18hWz2I/s400/9868-800.jpg" width="400" /></a></div>
<span style="font-family: Georgia, serif; font-size: 12pt;">Several
years ago—at around the time I began work on this blog—I went with a group of
colleagues to visit Osborne, Queen Victoria’s residence near Cowes on the Isle
of Wight. It is a strange but compelling place, and, midway through our visit,
I found myself in the Queen’s shrine of a bedroom gazing out the window down
across the terraces towards the Solent. In that moment, quite by chance, the
huge Cunard liner Queen Mary 2 swung into view and with much stateliness sailed
straight past, moving from left to right. It seemed as if this display of maritime
splendor had been exactly timed so as to impress upon the visitor the former but fullest scale of
British imperium. The night before last I was in Newport, Rhode Island, giving
a lecture about George Stubbs to the local branch of the English Speaking
Union, among the most active and certainly the most hospitable in the United States. The venue was a restaurant
at the end of one of the innumerable piers that jut into Newport Harbor. My
audience had their back to the picture windows that gave onto water, and, as I
started to speak in the gathering dusk that selfsame Queen Mary 2 steamed
sedately past, this time from right to left, heading out into the North
Atlantic</span><span style="font-family: Georgia, serif; font-size: 12pt;"><span style="font-family: Georgia, serif; font-size: 12pt;">—just like that</span>! These are the only two occasions on which I have ever set eyes upon her, and
they will not easily be forgotten. I am not quite sure why it has taken me so
long to resume my various bloggy ruminations here, nor whether the Queen Mary 2 has
had a hand in it. I was obliged to leave off owing to the immense pressure of
work throughout the spring season of <i>Edwardian Opulence</i>, after which I felt an extended
period lying fallow was probably wise. One can talk too much. Now, however, I find myself ready to
resume—always writing in those quite hours before dawn which so enchant and
delight me, just now enhanced by the freshness, gold and russet of the New England fall.</span>Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-74022124872357082612013-04-27T11:48:00.000-04:002013-04-28T15:56:23.076-04:00The fifty<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjveEm5q4yea8IwvEYoow0a_A0EtrNLO9uUSBCeCjpp-WSjM_B4J7YXJ49B8UB6vnl24LT1nXIOBRHjjhyTow7Qng7AukodVKdHtCy2QCqYfMXMyyIE1DPyLCiKiyvoG_tYhMiZaHmYc8PN/s1600/512px-SophiaofHanover.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjveEm5q4yea8IwvEYoow0a_A0EtrNLO9uUSBCeCjpp-WSjM_B4J7YXJ49B8UB6vnl24LT1nXIOBRHjjhyTow7Qng7AukodVKdHtCy2QCqYfMXMyyIE1DPyLCiKiyvoG_tYhMiZaHmYc8PN/s400/512px-SophiaofHanover.jpg" width="341" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sophia, Electress of Hanover</td></tr>
</tbody></table>
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--</style><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";">The
Act of Settlement 1701 was passed in the long shadow of the so-called Glorious
Revolution of 1688, which resulted in the deposition and flight into exile of King James II and the
substitution by Parliament of the elder daughter of his first marriage, Princess Mary, and her husband William of Orange (the son and heir
of King Charles I’s only daughter), who reigned jointly until Mary</span></span><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";">’s death</span></span>. William III was succeeded by Mary’s younger sister, who from 1704 reigned as Queen Anne. None of these three produced an
heir who survived infancy or early childhood. The sobering task facing the Parliament in
1701 was therefore to investigate such claims to the throne as might legitimately exist
much farther afield. The heir presumptive to </span><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";">(1) </span>the heir apparent, Princess Anne,
her only surviving son, Prince William, Duke of Gloucester, a sickly child, died the previous
year, aged eleven. The first and nearest subsequent claimants were (2) the
twelve year-old Prince James Francis Edward Stuart, the only son of James II by his second wife Mary of Modena.
Prince James, </span><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";">known subsequently as “the Old Pretender,”</span> was therefore the catholic half-brother of Mary II and
Anne. (3) His younger sister,
Princess Louisa Maria Teresa, was only eight. As catholics both were completely unacceptable. The posterity of King Charles I was therefore almost
exhausted. Princess Anne died in 1640, aged three and a half. Princess
Elizabeth died in 1650, aged not quite fifteen. Prince Henry, Duke of
Gloucester, died in 1660, aged twenty. Charles II died in 1685 without a
legitimate heir, but innumerable illegitimate ones. James II had been dealt with, which left their only sister
Princess Mary (the Princess Royal), who in 1641 married William, Prince of Orange, Stadholder of the Netherlands.
The Princess Royal had only one son, also William of Orange, who, under the
settlement of 1688, as we have seen, reigned jointly with Mary II and, in fact, signed the Act of Settlement into law. There remained, however,
one surviving line of descent from King Charles I, that of his youngest child
and daughter Princess Henrietta, Duchess of Orléans, who died in 1670, aged
thirty-six. Of her two daughters, Marie-Louise of Spain died childless in 1689,
but (4) Anne-Marie, the younger, was in 1701 Queen consort of Sardinia. She had
four children (5) Marie Adélaïde of Savoy, Duchess of Burgundy (later Dauphine
of France); (6) Maria Luisa of Savoy, later Queen of Spain; (7) Victor Amadeus of
Savoy, in due course Prince of Piedmont, who was less than two years old in 1701, and (8) and
the infant Charles Emmanuel of Savoy, a future King of Sardinia. All were
catholic, and therefore unacceptable. </span></span>
<br />
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<span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-font-kerning: 18.0pt;">Having eliminated all descendants of Charles
I, Parliament turned to such living descendants of King James I as remained in
the picture. Henry, Prince of Wales died childless in 1612, but a third child,
Princess Elizabeth, Electress Palatine of the Rhine (and briefly Queen of
Bohemia, also known as “the Winter Queen”) had a daunting brood of twelve children.
Of these, the Princes Louis and John Frederick died in infancy, as did Princess
Charlotte; Henry Frederick of the Rhine, died
in 1629, aged fifteen; Princesses Elizabeth and Louise Hollandine were both
nuns; Princess </span><span lang="EN" style="font-family: Georgia; mso-ansi-language: EN; mso-font-kerning: 18.0pt;">Henriette Marie also died childless in 1651,
followed by </span><span style="font-family: Georgia; mso-font-kerning: 18.0pt;">Prince
Maurice the following year, also childless. This left three, Prince Rupert of
the Rhine, whose only daughter (9) Ruperta was still alive in 1701, though married
to Lieutenant-General Emanuel Scrope Howe. However, Ruperta Howe was
illegitimate, and therefore out of the question. Now, </span><span lang="EN" style="font-family: Georgia; mso-ansi-language: EN; mso-font-kerning: 18.0pt;">Charles
I Louis, Elector Palatine of the Rhine, died in 1680, but in 1701 one child of
his first marriage (10) </span><span style="font-family: Georgia; mso-font-kerning: 18.0pt;">Elisabeth Charlotte, Princess Palatine, Duchess of Orléans, was alive
but catholic. Three further children of his second marriage were also alive: (11)
Princess Luise </span><span style="font-family: Georgia; mso-font-kerning: 18.0pt;"><span style="font-family: Georgia; mso-font-kerning: 18.0pt;">von
der Pfalz</span>, (12) Princess Amalie Elisabeth </span><span style="font-family: Georgia; mso-font-kerning: 18.0pt;"><span style="font-family: Georgia; mso-font-kerning: 18.0pt;">von
der Pfalz</span>, and (13) Prince Karl Moritz von
der Pfalz. It is not clear to me why none of these would do, but it seems
that the taint of catholicism must have attached somehow to all of the Von der
Pfalzes. This left the Winter Queen</span><span style="font-family: Georgia; mso-font-kerning: 18.0pt;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";">’s</span> youngest child, (14) Sophia, Electress of Hanover, who,
in the end, was fortunate to be nominated by Parliament, together with her heirs and successors. </span></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></div>
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<span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;">However,
before that decision was reached, and to investigate as exhaustively as
possible all prior or existing claims, Parliament turned, first, to the surviving
descendants of King Henry VIII (there were none), and even of King Henry VII
(Henry Tudor). In this latter case, Princesses Elizabeth and Katherine died in
infancy, as did the Princes Edmund and Edward. Princess Margaret, Queen of
Scotland, was the avenue by which, </span></span><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;">after the death of Queen Elizabeth,</span></span> King James I eventually claimed the throne
via Mary, Queen of Scots, so that line had already been dealt with
and was, indeed, the fons et origo of the whole problem </span></span><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; mso-bidi-font-family: "Times New Roman";"><span style="font-family: Georgia,"Times New Roman",serif;">in 1701</span></span>. Arthur, Prince
of Wales, died childless, but there
remained Princess Mary, Duchess of Suffolk, the fate of whose granddaughter Lady Jane Grey
(executed in 1553) was probably sufficient to rule out all of her other descendants, although they were in any case relatively few and definitely unpromising. I can
only imagine that the claims of the remaining approximately thirty candidates
were based upon even more remote lines of royal descent, from the era of
Lancaster and York or even earlier—all as murky and doubtful as could be. It had to be Sophia, whose son and heir duly became King George I when Queen Anne died in 1714.</span></span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-60358873046374196902013-04-27T09:04:00.000-04:002013-04-27T09:04:28.284-04:00The succession<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ueoTbevLNH5eY-QTatl0T8uir8QnG5pNLqcBXlVda1ywgcXMkuBA4bxD9MErB5x5RNrarxe5g21U4ltXsooGcpeosv6-pynbqsPNeupBVTV4O1OlzM6-eRx6nFjtAgZYJOwdMjBNddK0/s1600/705px-Act_of_Settlement_3323.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ueoTbevLNH5eY-QTatl0T8uir8QnG5pNLqcBXlVda1ywgcXMkuBA4bxD9MErB5x5RNrarxe5g21U4ltXsooGcpeosv6-pynbqsPNeupBVTV4O1OlzM6-eRx6nFjtAgZYJOwdMjBNddK0/s400/705px-Act_of_Settlement_3323.jpg" width="400" /></a></div>
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<span style="font-family: Georgia;">This week, in fact on ANZAC Day,
the Queen gave her assent to the Succession to the Crown Act 2013, which will
come into effect once it has been formally agreed to by all of Her Majesty’s
other fifteen Commonwealth realms. This is an important milestone in British
history, because it overturns several of the most important provisions of the
Act of Settlement 1701, and indeed negates its primary purpose. That extraordinarily
durable piece of legislation was prompted by the crisis arising from the melancholy
inability of successive protestant Stuart sovereigns, all grandchildren of King
Charles I (viz. Queen Mary II and King William III, first cousins who reigned
jointly as husband and wife, and Mary</span><span style="font-family: Georgia;"><span style="font-family: Georgia;">’s younger sister</span> Queen Anne) to produce any children who survived childhood, and a
determination permanently to exclude Roman Catholics from the line of
succession. In 1701 a daunting array of cheerfully fertile and rapidly
multiplying catholic descendants of Charles I and Henrietta Maria stood between
the ailing and lately childless Queen Anne and the nearest generally acceptable
Protestant candidate. This impressive person, Sophia, Electress of Hanover, was
a granddaughter of King James I, and the youngest survivor of the many children
of King James’s daughter Princess Elizabeth, sometime Queen of Bohemia (also
known as “the Winter Queen”). People with vivid memories of the English Civil
War would have been very much aware that one of Sophia’s much older brothers, Prince
Rupert of the Rhine, had been one of King Charles’s most trusted generals on
the losing side. Fifty years later, it was estimated that approximately 50
princes would have had a stronger claim to the thrones of England and Scotland
than Sophia had they not been catholic, or in some other fundamental sense
politically undesirable. The Act of Settlement 1701 nevertheless provided that
the throne would pass to Sophia and her descendants, but only if they were not catholic and/or not married to one. The Act made a number of further constitutional
provisions which were to come into effect after Queen Anne’s death, but the
most important consequence addressed by the British Parliament this week was
actually unintended. It would not, I think, have occurred to anyone in 1701
that Protestant princes would not automatically supersede older Protestant
princess-siblings in the line of succession, but until this week that is
exactly what has happened. The current Princess Royal is older than the Duke of
York and the Earl of Wessex, but she and her children nevertheless follow them
(and theirs) in the present line of succession. Since 1701 only two princesses
have ascended the throne, and that is because they lacked any male siblings: first Queen
Victoria in 1837, and the present sovereign in 1952. However,
in future the eldest child of the present Duke and Duchess of Cambridge will
accede regardless of his or her gender, and/or that of any of his or her
younger siblings. He or she may now also be catholic and/or married to one. Had
the issue of gender been a primary </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">consideration in
1701</span>, or even only a secondary one, the Act of Settlement would have seemed far more desperate than it
actually was, in other words going so far as to alight upon the <i style="mso-bidi-font-style: normal;">youngest</i> of the <i style="mso-bidi-font-style: normal;">five</i> daughters of the only sister of King Charles I. In the end, Sophia died in Germany a matter of three weeks before Anne, so the
throne duly went to her eldest son, who reigned rather grumpily as King George I. It is also
worth pointing out that notwithstanding its grim sectarian rationale, the Act
of Settlement 1701 actually served Britain remarkably well. Except for purely
domestic arrangements, the Hanoverian century and a half was remarkably stable
compared with the constitutional crisis and successive after-shocks of the preceding Stuart century. What
is most unclear in the present legislation is how at length it will affect
issues of governance in the Anglican Communion, for it now seems theoretically
possible for a catholic sovereign some day to find him or herself in the
distinctly strange position of being both </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">“Defender of the Faith”</span> (which faith?) and ipso facto supreme governor of the Church of England. No doubt
the British knack for constitutional reform will enable Parliament to settle upon a viable
solution to this problem well ahead of time, but I suppose there are no absolute guarantees of that.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-47196142592507778182013-04-25T09:12:00.000-04:002013-04-27T07:04:48.279-04:00ANZAC Day<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYkS3r-t3frADodF3deIhduanv7EgPT29cMSBS9Zgn7IGQjgc4j6-bPUrzq955PWVehAUQ2MBpaYzNsVtmx5Uw5CfI9emAZ-hJ9K6HPjxA7bVaN895jGNJJFq3nP1inMREZ-DWPAJ4V_MP/s1600/Anzac-Day-Image-250-High.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="165" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYkS3r-t3frADodF3deIhduanv7EgPT29cMSBS9Zgn7IGQjgc4j6-bPUrzq955PWVehAUQ2MBpaYzNsVtmx5Uw5CfI9emAZ-hJ9K6HPjxA7bVaN895jGNJJFq3nP1inMREZ-DWPAJ4V_MP/s400/Anzac-Day-Image-250-High.jpg" width="400" /></a></div>
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</xml><![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">This day is
a special one for Australia and New Zealand. April 25—ANZAC Day—broadly
commemorates all Australians and New Zealanders “who served and died in all
wars, conflicts, and peacekeeping operations” and “the contribution and
suffering of all those who have served.” More particularly this is the
anniversary of the amphibious landing at Gallipoli in the Dardanelles on 25
April, 1915, of the combined Australia and New Zealand Army Corps under the
command of General William Birdwood. The ANZAC contingent formed part of a
combined British Imperial and French </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">“</span>Mediterranean Expeditionary Force</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">” consisting</span> of
approximately 78,000 men. The assault was fiercely and, as it turned out,
successfully resisted by Ottoman forces so that allied troops were evacuated
to Egypt at the end of 1915. Even if one had no relations who fought and died
there (as we do), the Gallipoli campaign has assumed a powerful symbolism for both
Commonwealth countries, even though far more British troops were killed there. When I was small, the focus of commemoration in Melbourne was somewhat
divided between ANZAC Day and Remembrance Day, which still marks the signing of
the armistice in Marshal Foch’s railway carriage at Compiègne at the eleventh
hour of the eleventh day of the eleventh month of 1918, which brought the Great
War to an end. The symbolism of poppies and of Flanders’ Fields was still powerful.
However, over recent decades I have sensed that ANZAC Day has gradually assumed greater
and broader significance south of the equator. In the United States even
Remembrance Day passes each year without too much fuss—it is known here as “Veterans’
Day.” It is a very different story in Britain. Each November millions of
red poppies slip into buttonholes ahead of the solemn observances at the Cenotaph in
Whitehall and elsewhere. Obviously, however, stateside ANZAC Day is completely
invisible. I find this slightly melancholy. In two years’ time we shall observe
the centenary of ANZAC, and this span of years strikes me as remarkable, for I will then be fifty-one. Three
of my grandfather Borthwick’s own brothers fought at Gallipoli. One was killed; another
grievously wounded (he lost an arm), however a third survived relatively intact.
My grandfather volunteered but could not serve because he had “a dicky ticker”—which is how people then referred to a heart condition, in his case a pretty serious one. He died in middle age as a direct consequence of it, so, alas, I
never knew him.</span><br />
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Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-38303839099866806232013-04-06T11:58:00.003-04:002013-04-06T11:58:49.334-04:00Heirloom Modern<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia;">Late last summer,
Hollister Hovey and her sister Porter—friends of a friend—came to photograph my
house and interview me for one of the chapters of a book they were doing
entitled <i style="mso-bidi-font-style: normal;">Heirloom Modern</i>, which has
now been sumptuously published by the House of Rizzoli. It is, as the cover
copy states, about “homes filled with objects bought, bequeathed, beloved, and
worth handing down.” It was a lot of fun watching them work—while, of course,
being sure to let them get on with the job unmolested by proprietorial interference
or heavy-handed art direction manqué. But it is an especially intriguing and
distinctly odd experience to reabsorb my house as it now appears in the pages
of their beautiful book. On the whole, I would say that it does a splendid job
of representing these rooms as I have configured and arranged and decorated them
since I bought the place a few years ago, and therefore, I suppose, of displaying
me too. I did not do this unaided. George Knight designed my library; Leland Torrence managed the building of it, and Jared Nixon was my painter</span><span style="font-family: Georgia;"><span style="font-family: Georgia;">—and a truly brilliant one. </span>Since the Hoveys were here I have rationalized the books, so that Australiana
and Asiatica (on the east wall, naturally) face off Britain (west) while dictionaries, encyclopedias and other works
of reference fit snugly in between </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">(south)</span>, while three times great-grandmother Jane Pearson presides over the fireplace (north), but the effect is not radically different.
The other amusing aspect of participating in an exercise of this kind is the
surprisingly puffy air of satisfaction I have derived from comparing my house with
other people’s, and it is comical to reflect upon the fact that they are probably
experiencing exactly the same thing. </span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-47835528857655242912013-03-30T09:26:00.003-04:002013-03-31T09:03:12.744-04:00The madness<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia;">What are we to make of
that fat </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">little boy</span> with the strange haircut, and those old
men standing over him with their ridiculous khaki pudding-bowl headgear? It
seems incredible that between them the great powers cannot rein in, neutralize,
or simply manage the cranky huff and puff of a wholly non-viable
totalitarian micro-state, whose continuing existence is in nobody’s interest—least
of all its own benighted, brainwashed citizens—but whose irrational behavior now constitutes
a terrible threat to the stability of the rest of the world. True, the problem
of North Korea seems almost by definition doomed to evade the best attempts of
professional diplomats and policy makers everywhere even to grasp, far less to solve it. One does
wonder what goes through the mind of each over-decorated North Korean general
upon retiring to bed, or upon getting up in the morning. What do they
think they are doing, other than holding on—and hoping that baby Kim
continues to read from his script? This morning’s <i>New York Times</i> seems to
follow the prompts of the Obama administration in regarding the present threats
to dispatch probably fictitious nuclear missiles to targets on the continental
United States (including the east coast) as no more than the mad bellicosity of
a regime determined to reinforce for domestic consumption the artificial
reputation for military daring of its limitlessly horrid Baby Doc. However, even if you
allow for the old-fashioned propaganda factor, threats are threats, and it is certainly unsettling
to know that those nuts in North Korea have concocted a map with straight-line
trajectories leading to a spot, for example, no more than an hour’s drive from
where I sit. My own feeling is that it would be far, far better if there were
no such threats, and certainly no more Kims. Is this too much to seek from such realistic
minds as hold sway in Beijing, Washington, and the Kremlin? I mean, <i>enough for Heaven</i></span><span style="font-family: Georgia;"><i><span style="font-family: Georgia;">’s sake</span>!</i></span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-30961917885424884662013-03-26T10:56:00.002-04:002013-03-26T13:58:10.236-04:00Joshua Tree<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: 12.0pt;">The Joshua
Tree National Park is an easy forty-five minute drive from Palm Springs, California,
due north across the Coachella Valley, past Hot Desert Springs, up through the
Morongo and Yucca Valleys, and into the high Mojave Desert, on the northern
side of the Little San Bernardino Mountains. </span></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMQ0ZnWpJIL5XBduLs5YoZ-Mw9ZGN2RKJAOK2CWbobvBHvOQbJPLcQ2x1cYtVmX6UCLLpEFl49euM9v4OsXt3THRlT2ciO3z5NhGS1uT5TnWNg8CghUArfyME8B_e-FUPoOl_eQLTObNV0/s1600/Joshua+Tree+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMQ0ZnWpJIL5XBduLs5YoZ-Mw9ZGN2RKJAOK2CWbobvBHvOQbJPLcQ2x1cYtVmX6UCLLpEFl49euM9v4OsXt3THRlT2ciO3z5NhGS1uT5TnWNg8CghUArfyME8B_e-FUPoOl_eQLTObNV0/s400/Joshua+Tree+2.JPG" width="400" /></a></span></div>
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the park just outside the town of Joshua Tree, and well before you reach the U.S. Marine Corps base town of Twenty-Nine Palms, at first you navigate an environment
that is dominated by huge monzogranite outcrops rising from the surrounding desert floor, liberally dotted with <i>Yucca brevifolia</i>, the eponymous
tree. This enchanting plant was originally named by Mormon travelers, who recognized in its shape a gesture worthy of the conquerer of Jericho and of Canaan. Like certain grasses and orchids, the Joshua tree is a very large member of the Agave family.</span></span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypTbACSFLOex8X4mVza24-1X-FVVddDbjn8HT7FkVS7NWbug0Wwz3bSj2MkCgsYDGZav_FLP-3VIO2SlkyVXbZ__0Dh5oR3Ga7_AtnXtM49VhL31EiG2ctvWj5de49yeHqBD2JZ7S3zU2/s1600/Joshua+Tree+3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypTbACSFLOex8X4mVza24-1X-FVVddDbjn8HT7FkVS7NWbug0Wwz3bSj2MkCgsYDGZav_FLP-3VIO2SlkyVXbZ__0Dh5oR3Ga7_AtnXtM49VhL31EiG2ctvWj5de49yeHqBD2JZ7S3zU2/s400/Joshua+Tree+3.JPG" width="400" /></a></span></div>
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<![endif]--><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: 12.0pt;">These
wonderful emanations of the high desert twist and writhe and, just now, flower—not so much in stands or sopses but nevertheless in glorious
profusion, each producing a performance of strange and ritualistic
individualism. </span></span>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: 12.0pt;">Last
Wednesday I was quite alone, and the effect was one of perfect eeriness. It did not matter that the morning was overcast, for this lent considerable softness and subtlety to the textures of the land, and a definite blueness to certain of the grasses. The
cheerful ranger at the front gate told me that mountain sheep had been spotted
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<![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">At
length you descend almost imperceptibly towards the great Pinto Basin, which
forms a region of transition between the high Mojave and the hotter and bleaker
but no less fecund Sonoran Desert. These slight shifts in altitude produce an
immediate and colossal transformation in the flora. </span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP0apIroBy8Eaoev3utQTFDLAGqISXKlcPzmR69NHEpJs7T5tSafPKUUUf7MUaTpVmkuoOIJTyZDN3wGnDnAXpQ2oWbYByI0T_PGN2SWQcJlNxJZvqk1-RWw-L5MDDFczsdugXxaDJrGpa/s1600/Teddy+Bear.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP0apIroBy8Eaoev3utQTFDLAGqISXKlcPzmR69NHEpJs7T5tSafPKUUUf7MUaTpVmkuoOIJTyZDN3wGnDnAXpQ2oWbYByI0T_PGN2SWQcJlNxJZvqk1-RWw-L5MDDFczsdugXxaDJrGpa/s400/Teddy+Bear.JPG" width="400" /></a></span></div>
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">The
Joshua trees come to a sudden halt, and make way for smaller succulents and drier, more delicate
grasses and cacti to match the higher temperatures, the pert <i>Cylindropuntia bigelovii </i>or Cholla
cactus, for example, so winning and so absurd, as well as many others, some spiky, some fluffy, others just
now erupting into their rare and almost miraculous moments of flower. The man holding the stop sign where the road works commenced drew my attention to this one, which I would never have seen without careful directions from the road.</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTBYa0ibAqhV6E8aSAez6gig0WYWfQx_-Voa1wFReavByEfl7PUos3-qVB9Xb0vjIEK66_bBRPT4RVz-CrGV1hctrEOJ0QwcYZs6oplYtzgj9560TTrdH-MAZdykZLl7TtuI-Z2p4_uMKT/s1600/Cactus+Flower.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTBYa0ibAqhV6E8aSAez6gig0WYWfQx_-Voa1wFReavByEfl7PUos3-qVB9Xb0vjIEK66_bBRPT4RVz-CrGV1hctrEOJ0QwcYZs6oplYtzgj9560TTrdH-MAZdykZLl7TtuI-Z2p4_uMKT/s400/Cactus+Flower.JPG" width="400" /></a></span></div>
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">A day spent wandering through Joshua Tree, preferably more, is enough to impress upon even the most occluded soul the hopeless inadequacy of the English word <i>desert</i>, for instead one senses, as in many parts of Outback Australia, that places such as this are the fons et origo, the birthing places of life itself. How I long to go back!</span></span>Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-87803573463261731982013-03-24T15:13:00.002-04:002013-03-24T16:04:22.114-04:00Palm Springs<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoPPN8IfAU5o_Q_DF_hDdAiYh03GTwUCuEGGU8Z6S7lc-RPlgYRV1kMGjLkOG91vOxhDPJ-f1vE88t7ztpna_pIVGJczzIRpwOWRQ5XgXrw3mCQI5B-Q_41LU_nfqvwDPy96yhVnJbvZW7/s1600/IMG_0159.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoPPN8IfAU5o_Q_DF_hDdAiYh03GTwUCuEGGU8Z6S7lc-RPlgYRV1kMGjLkOG91vOxhDPJ-f1vE88t7ztpna_pIVGJczzIRpwOWRQ5XgXrw3mCQI5B-Q_41LU_nfqvwDPy96yhVnJbvZW7/s400/IMG_0159.JPG" width="400" /></a></div>
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<span style="font-family: Georgia;">I have just returned from
a few days’ rest in Palm Springs, California. I have grown very attached to
that lovely place since I started going there ten years ago. Situated
approximately 120 miles due east of Los Angeles, Palm Springs occupies a portion
of desert at the western end of the wide, flat Coachella Valley, hard by the magnificent
San Jacinto Mountains. The highest peak is roughly a mile and a half straight
up from the valley floor, almost 11,000 feet above sea level, and Palm Springs cleaves to its rocky skirts like a
playful, mostly indulged infant. The valley itself is bounded by the Little San
Bernardino Mountains to the north, and the San Jacinto and Santa Rosa ranges in
the south, and subsides almost imperceptibly into the Salton Sea, an enormous lake at the
eastern end, not all that far from the Mexican border. The San Andreas fault runs right the way through the middle of the
Coachella Valley, and is clearly visible from any point of elevation—a slightly
sinister reminder that the entire region dwells at the junction of the great North
American and Pacific plates which everybody knows are pushing very
hard in opposite directions, harder here than elsewhere in California because of a kink in the fault line that is said to concentrate greater than usual pressure. This raises the obvious question, I suppose, as to why one would ever choose to settle in the locality, but the same might well have been </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">regularly </span>asked of Naples or Osaka for the past 3,000 years. The long-vanished Pinto culture and, latterly, the Serrano and Cahuilla peoples have all lived in comparative harmony with this environment for approximately 4,000 years. Palm Springs and the wider Coachella Valley also
lie close to the intersection of the Sonoran and Mojave Deserts, and their
point of transition forms one of the most remarkable, <span style="font-family: Georgia,"Times New Roman",serif;">unspoiled natural
environments in the entire southwest: the high desert of the Joshua Tree National Park, and about
that I shall write separately.</span></span></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">If you approach Palm Springs by car from Los
Angeles, you leave the great stripe of Interstate Highway no. 10 between the unpromising settlements of
Cabazon and White Water at the western entrance to the Coachella Valley, which
is also known as the San Gorgonio Pass. This forms a comparatively narrow gap between the snow-caps
of the San Bernardino and San Jacinto Mountains, and is therefore one of the windiest
places in California. </span></span>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4VVB9M_0Emgw4GCYQLOvwjOPLuXvk3pbehL7y-hQFvXyQsPHLBQxmAsdCOMmp_gFo9bWmk2JD2b1JQimugc9pzwrPKKlDDIhkil0koy2-NPK9gfcxthTlteUu2sgLSstFa7jci2LUOd4/s1600/IMG_0334.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4VVB9M_0Emgw4GCYQLOvwjOPLuXvk3pbehL7y-hQFvXyQsPHLBQxmAsdCOMmp_gFo9bWmk2JD2b1JQimugc9pzwrPKKlDDIhkil0koy2-NPK9gfcxthTlteUu2sgLSstFa7jci2LUOd4/s400/IMG_0334.JPG" width="400" /></a></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-family: Georgia; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">Hence the existence here of the extraordinarily
surreal-looking San Gorgonio Wind Farm, whose </span><span style="font-family: Georgia; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica; mso-bidi-font-size: 13.0pt; mso-fareast-font-family: Cambria; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">3,218 slowly rotating
windmills deliver on average 615 megawatts, roughly the same amount of
electricity as a smallish nuclear power plant in fully working order.</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim3d3dELu5uw90Yjm7hDNub16wK34wiC9o09Clf8gtnX5VcHlWaPzB_RYHZi2mQR40Sc4vpZPCZvRQ9EHTr-4dYCaYrMRTMSFuDwy507Sk3PrHlDUxmOSSLWtsdk5R1dO8IYV6wP66mrS/s1600/IMG_0335.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim3d3dELu5uw90Yjm7hDNub16wK34wiC9o09Clf8gtnX5VcHlWaPzB_RYHZi2mQR40Sc4vpZPCZvRQ9EHTr-4dYCaYrMRTMSFuDwy507Sk3PrHlDUxmOSSLWtsdk5R1dO8IYV6wP66mrS/s400/IMG_0335.JPG" width="400" /></a></div>
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<span style="font-family: Georgia;">Strutting in snowy-white
ranks across the desert floor; taking up statelier positions on the
adjacent foothills, and seen between the rocky escarpments and the cloudless blue
sky they form a haughty, silent, and vaguely weird presence, at times
mesmerizing in scale and rhythm. Skirting these, indeed concentrating on ignoring them, you follow the Sonny Bono Memorial Highway (Route
111), which after twenty minutes or so turns into North Palm Canyon Drive, and suddenly you find yourself
entering an apparently endless grid of wide avenues mostly planted with tall,
slender palms.<span style="mso-spacerun: yes;"> </span>These form
the great green bowl of Palm Springs. The howling wind of San Gorgonio gives
way to desert warmth, a zephyrous micro-climate, to which the last few
generations of Hollywood retirees (but not only) have resorted for leisure, exercise, resuscitation, shelter, or peace,
often all these things at once. And in doing so, they have created a sort of
oasis of modernist design in mostly subtle harmony with the dry, hot, dreamy
climate. I often ask myself what in the American character contrived to discover the languorous pleasure, the joy even, of holiday-making in the desert, while we Australians cannot, it seems, be coaxed away from our ocean beaches? Perhaps this discovery yet awaits us, or is jealously guarded by a canny few the better to keep the masses at bay. Who knows?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rKhMFmWL2oMTpFlrNFF3YfYj6ynsLAEvtHRyztAGVZgfTIxMudwhA2363OO4woue1WcAqDGDGQlzL4MdavpuwUmQST0nvUBzujPn-Vn8U4AmYF7y4r4O5tf-qIA7OkZSEhvaGm3BoNh1/s1600/stm4d9b7b655e41020110405.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3rKhMFmWL2oMTpFlrNFF3YfYj6ynsLAEvtHRyztAGVZgfTIxMudwhA2363OO4woue1WcAqDGDGQlzL4MdavpuwUmQST0nvUBzujPn-Vn8U4AmYF7y4r4O5tf-qIA7OkZSEhvaGm3BoNh1/s400/stm4d9b7b655e41020110405.jpg" width="400" /></a></div>
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<span style="font-family: Georgia;">These days I
prefer to fly directly to Palm Springs, and rent a car at the airport. The
airport itself is, I think, among the most beautiful in the world, a facility
whose innards were wisely replaced with an open-air desert garden replete with citrus trees and palms and flaming bougainvillea and chairs and tables. In the
almost inconceivable event of rain, one may borrow an umbrella after you go through
security (back there in the distance), and return it once you reach your departure gate (up an escalator and over one</span><span style="font-family: Georgia;"><span style="font-family: Georgia;">’s shoulder in this view</span>).
The main disadvantage of these arrangements is the sense of sadness and loss
you experience upon having to depart, and leave behind that astonishing
mountain. I could stare at the changing light on its flank from dawn until the
sun descends over the other side in the late afternoon, indeed I have been
doing so for much of the past week, and am now already plotting and planning my return.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-73333667436569129452013-03-17T11:38:00.000-04:002013-03-17T16:05:14.003-04:00Miss Fairfax<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAShs2odp5_jiAF5AU2Bsr8mYHyDAs3bgV7SCocuFWEKipO_Ewf8nuPxblOQGNGiiFMyTmqy7TevfEIjDaWX1HH1aQUGgs8vWHD0sk8oBMEBLQiowOYNZULapPyj2dPEL-NXM7MJCZTRLC/s1600/Eve.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAShs2odp5_jiAF5AU2Bsr8mYHyDAs3bgV7SCocuFWEKipO_Ewf8nuPxblOQGNGiiFMyTmqy7TevfEIjDaWX1HH1aQUGgs8vWHD0sk8oBMEBLQiowOYNZULapPyj2dPEL-NXM7MJCZTRLC/s400/Eve.jpg" width="400" /></a></div>
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<span style="font-family: Georgia;">We have had a really
heartening notice about <i>Edwardian Opulence</i> by Sylviane Gold in this morning’s
<a href="http://www.nytimes.com/2013/03/17/nyregion/a-review-of-edwardian-opulence-at-the-yale-center-for-british-art.html?_r=0"><i>New York Times</i></a>, and it coincides with a small but fascinating discovery among
my papers. One of the most beautiful sculptures in our exhibition is the marble
bust of Miss Eve Fairfax by Auguste Rodin—known also as <i>La Nature</i>. The reason why we borrowed this bust is that it was the first of a string of notable British portrait commissions executed by Rodin through the Edwardian decade. Miss Fairfax
was most probably Rodin’s lover, ca. 1902, or soon afterwards, but what I did not realize until
after the catalogue went to press was that she was still alive in 1978. The following
obituary was published in <i>The Times</i> on June 12 of that year:</span></div>
<blockquote class="tr_bq">
<div class="MsoNormal" style="text-align: center;">
<span style="font-family: Georgia;">Miss Eve Fairfax</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Georgia;">G. writes: “This grand old
lady passed away in her 107<sup>th</sup> year on May 27 in York in which city
or nearby countryside she had spent most of her long and fascinating life. A
direct descendant of General [Thomas] Fairfax, she was born on October 10,
1871, at Bilborough, near York, where she spent her childhood. She rode her
pony eight miles to school in York, winter and summer, taking tea most days at
Bishopthorpe Palace with Archbishop Thomson’s family. As a young woman she
spent many hours in the saddle following the fox-hounds round York. She was
presented at Court to Queen Victoria at Windsor in 1888. The second Lord
Grimthorpe commissioned Rodin to scupt her in 1902 and the result was a
beautiful bust in marble, now in the National Gallery in Johannesburg; copies
in bronze are in Paris and New York. That from Paris was shown several years
ago in London and portrays superbly the fine figure and wonderful bone
structure of Miss Fairfax. After the death of her parents she always lived in
York and was a powerful figure in the Old Yorkshire Club and a frequent
attender of the Snow and Summer Balls at the Old Assembly Rooms—long since
discontinued. She became a welcome visitor to many great houses in England and
Scotland, arriving for a few nights and frequently staying for several weeks
complete with her huge autograph book of names, pictures and anecdotes of her
life, and a voluminous sewing bag. A fine story-teller and avid bridge player
(she played well past her 100th birthday), she was feared by children and
grown-ups—but a friendly sparkle in her eyes charmed everyone. Latterly
increasing infirmity of her legs prevented much movement and she was a patient
for her last few years at The Retreat in York, where the devotion and wonderful
kindness of the staff kept this often cantankerous and difficult old lady in
high good humour. Only a few weeks before she died she was sitting up in bed
reading her favourite newspaper without spectacles. Alas there will never be
another Eve Fairfax, straight of back, her tall and stately figure surmounted
by her beautiful nearly white hair, gave all the houses an added luster when
she was around. To her few remaining friends and relations, she represented a
fascinating chapter of history starting in the reign of Queen Victoria and
ending after man had successfully walked on the moon.”</span></div>
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<div class="MsoNormal">
<span style="font-family: Georgia;">As obituaries go, this one
takes many words to say surprisingly little. It was presumably the work of a
friend or relation, who, while affectionate and admiring, also let slip some
not entirely reassuring particulars. Feared by young and old alike? Cantankerous and
difficult? Invited for a few nights, but stayed for several weeks? And what
about that autograph album—evidence, perhaps, of the modern equivalent of
scalp-hunting? The author is also muddled about the bust. Rodin carved no fewer
than five versions in marble. She is right about one of them, which is indeed at
Johannesburg Art Gallery (the South African National Gallery is in Cape Town).
Another, the one we have here in New Haven at present, is normally to be seen in the galleries of the Legion of Honor (Fine Arts
Museums of San Francisco). Another three, together with many related plasters
and subsequent bronzes are mostly at the Musée Rodin in Paris. If Rodin’s
preoccupation with Miss Fairfax was erotic, as seems likely, in due course it waned. Some time after he finished the San Francisco bust, the
sculptor inscribed it on the reverse: “À Loïe
[Fuller],” </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">and signed it a second time</span>. Perhaps Eve Fairfax was eclipsed by the celebrated danseuse, although satisfactorily </span><span style="font-family: Georgia;"><span style="font-family: Georgia;">“</span>G.</span><span style="font-family: Georgia;"><span style="font-family: Georgia;">”</span> points out that Miss Fairfax was for many years an enthusiastic dancer, but purely non-professional.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-79122651032239519682013-03-14T10:14:00.000-04:002013-03-14T10:14:53.509-04:00The message<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Every now
and then one is reminded of British imperial swagger, mostly symbolical but
invariably sentimental, even nostalgic. Yesterday, for example, from Buckingham
Palace the Queen transmitted the following message to the International Space
Station—naturally in French as well as in English:</span></div>
<br />
<blockquote class="tr_bq">
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<i><span lang="EN-GB" style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Le 13 mars 2013</span></i></div>
<i>
</i><div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<i>
</i><div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<i><span lang="EN-GB" style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Je suis heureuse de transmettre mes vœux les
plus chaleureux ainsi que ceux de tous les Canadiens et Canadiennes au Colonel
Christopher Hadfield, qui prend aujourd’hui le commandement de la Station
spatiale internationale. Nos pensées et nos meilleurs souhaits accompagnent le
Colonel Hadfield et tout son équipage, et nous prions pour qu’ils rentrent en
toute sécurité auprès de leurs familles, amis et concitoyens. </span></i></div>
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<span lang="EN-GB" style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">ELIZABETH R.</span></div>
</blockquote>
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span lang="EN-GB" style="font-family: "Georgia","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">No doubt we would be foolish to allow ourselves too
readily to think of Scott, Shackleton, Mawson, or Hillary, but the gallant imagery is plainly
there for those of us who choose to take note of it. </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"></span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-71368853358529690802013-03-12T09:18:00.003-04:002013-03-16T07:33:20.703-04:00The conclave<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaFFBw7SzmXw2lgEZ0HYvzc4E11XuXCF2oa0Q2VLd9Go688DlIogMsI0PrBANhpUN841sOt7zixHzTo2SZ0a6L7VVheUxcQBg7gllZOOtHF_TQ5fERKRVrGiO2QwOKTB3vNXN24bjd5mP8/s1600/Papal_Conclave_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaFFBw7SzmXw2lgEZ0HYvzc4E11XuXCF2oa0Q2VLd9Go688DlIogMsI0PrBANhpUN841sOt7zixHzTo2SZ0a6L7VVheUxcQBg7gllZOOtHF_TQ5fERKRVrGiO2QwOKTB3vNXN24bjd5mP8/s400/Papal_Conclave_2.jpg" width="400" /></a></div>
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<![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%;">Nothing guarantees the rapt attention of outsiders more than
the idea of blanket secrecy, and no procedure better illustrates this point
than a papal conclave. As the Holy Ghost gets down to business later today, the
cardinals are locked in and the rest of the world is locked out. Nobody will be in a
position to know what went on unless someone inside violates the oath, either
deliberately or by accident. The latter possibility is real. In the long
history of conclave speculation shreds of gossip,
pertinent or otherwise, have drifted like swan down from domestics in
particular—those who long afterwards have been either unable or unwilling to
resist the wiles of the most cunning seekers of information. The lowlier the sworn
official, moreover, the scrubber of loos in Santa Marta for example, the
greater must be her sense that in the midst of an unremarkable life she stands
witness to a great event, albeit on the outermost periphery. Would it be so
surprising if afterwards she casually complained to a non-sworn <i>collega </i>about
the length (and liveliness) of late-night discussions in the room of
a cardinal who, incidentally, likes to smoke cigars, and the inconvenience therefore of
having to trudge all the way up to the fourth floor well after one o’clock in
the morning? She has no reason to suppose that the <i>collega</i>’s brother-in-law is
a journalist. Then, of course, there are the politics inherent in the process itself. By
their very nature, at least a good proportion of the cardinals must be possessed
of hard-nosed political shrewdness or they would not be there. Nor would they
have attained each of the previous rungs in those long, stout ladders of ecclesiastical
preferment. The eligible voters are, of course, bound by the apostolic
constitution which governs the process, but this does not mean that some of
them are not busily doing their numbers. It would appear to be very unusual,
even counterproductive, for anyone to be doing or seen to be doing the numbers on their own behalf,
but surely not so strange for ambitious men to lobby for a “candidate,” because
not to do so would be </span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%;">simply </span>naïve. Someone else will certainly be doing it. Further,
in a group of 115 eligible voters one should expect to discover the fullest
range of human characteristics, good and bad. Not for nothing is a staff of
confessors laid on in the Sistine sacristy. The cardinals will be short-tempered or placid, patient or
maddened by signs of weakness in others. There is no reason to suppose that cardinals
do not bear grudges, even nurture hatreds, just like anyone else—and those may
go back years and years, and originate in some petty quarrel to which men naturally
cling with hot resentment, even while they are fully aware of the overriding
injunction to love thy neighbor. They will be worldly and holy in different
measure, keenly aware of needing publicly to convey neither too much of one
quality, nor too little of the other. Some will be known to be fonder of clothes or canasta than
seems entirely healthy. Some will be better than others at correctly reading a balance sheet, and acting accordingly. Others will be taking blood pressure
medication. They will be clever or stupid or funny or deaf or inconceivably
dull. Some will be comparatively patrician veterans of diplomatic service, their manners further enhanced by having been born into an old and distinguished Argentine or Colombian family. Some will enjoy giving the impression of wholesome and unaffected affability, while others careful
to polish a performance of unrivaled ascetic dogmatism. Some, with long experience of the Roman curia, will have developed the useful skill of reading upside-down over distances of ten meters or more; others will be as blind as a bat. Their Eminences will have limited
opportunities to demonstrate their fluency in five languages or more, but if
and when they do so will this be misconstrued as an ostentatious display?
How will national or ethnic affinities affect their instinctive groupings—over meals,
for example, or in more formal blocs? Is the malign influence of foreign governments or even secret intelligence organisations detectable in the subtle behavior of cardinals who for years, maybe through grim necessity, have had to navigate unscrupulous, undemocratic, or corrupt regimes, and occasionally accommodate themselves to their wishes? How on earth do you do handle or even take the measure of a solitary Vietnamese cardinal, or a Sudanese, or a Hungarian? Faced with the real possibility of the election of a wholly
unacceptable candidate, will there not be some casual remark cleverly implanted
in the ear of a garrulous old fool who can be relied upon innocently to spread
it about so as to damage, if not thwart? And what about the mini-buses? In the polite
post-ballot exodus, the cardinals’ equivalent of a scrum, which Eminences will
make sure that they sit next to whom on those brief but insular rides back and
forth to the Sistine Chapel, and who will be roundly shunned by those whose
keenest interest is making sure that they are where the action is? And what
will the drivers, also sworn, notice in the rear-view mirror, or hear muttered
over their left hand shoulder? We will probably never know, and should any gossip
emerge in due course and inevitably fail to satisfy the hunger of the world’s media,
none of it will be at all reliable. </span>Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-12258818241917704062013-03-07T07:31:00.001-05:002013-03-07T07:58:32.198-05:00The sheep<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3CISIsHmeHp60J4cznNA2zmxcp1poMWXjgQkebTIuwDN2-r-ZyU58lI1veBvoiyvupuS1z9-VyVZar5ysOLEVOz148ZgO2t1X3HrpTaasb5LZKr6WEdccjg-BEqcqioY0pg9MEeWz76_/s1600/Uncle+Tony.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3CISIsHmeHp60J4cznNA2zmxcp1poMWXjgQkebTIuwDN2-r-ZyU58lI1veBvoiyvupuS1z9-VyVZar5ysOLEVOz148ZgO2t1X3HrpTaasb5LZKr6WEdccjg-BEqcqioY0pg9MEeWz76_/s400/Uncle+Tony.jpg" width="400" /></a></div>
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<span style="font-family: "Georgia","serif"; font-size: 12.0pt;">Uncle
Tony Trumble has been mining the bottom of his cupboard in southern Tasmania. Here
he is, circa 1932, with Uncle Arthur, one of our great-grandmother Campbell’s many Frew
siblings. According to Uncle To, Uncle Arthur asked him to go in and bring
him a baa. Tony marched in and attempted to do so. The baas were
understandably startled, and Uncle Arthur had to go in and rescue him. This is
what is happening in this action shot, presumably captured by Pa—evidence,
perhaps, of the long Trumble tradition of capturing on camera moments of distress
experienced by the children. I am rather taken by Uncle Arthur</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">’s belt <i>and </i>braces, and that traditional stockman</span></span><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt;">’s hat.</span></span> Uncle Arthur’s property was at Binalong, near
Coonabarabran, northeast of Dubbo in New South Wales. My grandparents drove all
the way up there in the car they knew affectionately as Leaping Lena. Arthur
Frew was a well known identity in the district, and gates to his memory were not
long afterwards erected at the Binalong Show Grounds. In about 1939 the
Coonabarabran Agricultural Society co-opted those gates for their own show
grounds, but after the war Binalong demanded them back. Much later Uncle To investigated,
and found them in a very diminished state. He dug up the committee and donated
a couple of hundred dollars to get them fixed. It cost a great deal more than
$200, but the Show Society generously paid the difference. I gather Uncle Alec
has since called in to check up on them. Thus our footprint endures.</span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-49089565890274015682013-02-22T08:37:00.001-05:002013-02-23T06:51:27.388-05:00The gown<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigj1LeyK-38ar-4u960Hrzb0kQwz2Y4TqRcZW_PQoYYPKy30_JfDmBe9Fyx4DlNsdDolkUSiFqs2Vzx6yO53kENBMRaTCeku6r3QKM5-NYFeevHrAMM5-m-MBqBAOzeILDPQml9kmLJOI5/s1600/dress+8.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigj1LeyK-38ar-4u960Hrzb0kQwz2Y4TqRcZW_PQoYYPKy30_JfDmBe9Fyx4DlNsdDolkUSiFqs2Vzx6yO53kENBMRaTCeku6r3QKM5-NYFeevHrAMM5-m-MBqBAOzeILDPQml9kmLJOI5/s400/dress+8.JPG" width="311" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The day before yesterday we installed Lady Curzon’s spectacular white satin “orchid” gown, one of a number that were created for her by the House of Worth. We know she wor<span style="font-size: small;">e it</span> on state occasions in Delhi when she was Vicereine of India. The train is fourteen feet long, and, together with the bodice and skirt the entire ensemble was richly embroidered by Indian craftsmen and women with gold and silver threads and further augmented with faceted crystal beading<span style="font-size: small;"> that with the bullion shimmer under the lights</span>. Th<span style="font-size: small;">is indigenous</span> technique is known as <i>zardozi</i>. Watching our colleague from the Fashion Museum at Bath perform the operation of dressing the dress was slightly eerie, as this sequence of photos will demonstrate, because one gradually began to sense more and more Mary Curzon’s ghostly presence, while also witnessing something of what it must have been like for a skilled lady’s maid to help her <span style="font-size: small;">to get</span> dressed. It would be impossible to do this without assistance. Naturally we began with a customized dummy on a stand.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5yk8egAFunrGimuxxRJPz7pqzwnij-SOIqcpmd9UC0MS8RTtl_oPC58sCT41N5FLhh7zecoBQH9Y5UvICJEeymwSj9nl4bTl1AVd9KVz_frakN9MmnyJnzrZYdLrphBq6J_w6E0C2v17/s1600/dress+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC5yk8egAFunrGimuxxRJPz7pqzwnij-SOIqcpmd9UC0MS8RTtl_oPC58sCT41N5FLhh7zecoBQH9Y5UvICJEeymwSj9nl4bTl1AVd9KVz_frakN9MmnyJnzrZYdLrphBq6J_w6E0C2v17/s400/dress+2.JPG" width="243" /></a></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">The dummy and its precious cargo migrated from place to place throughout this procedure, which added to a vague but growing sense of imminence, but it was in the beginning dressed with a long calico petticoat to give some support the very fragile skirt. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-2Gpk1eQCoh8-sBkYD21xEHhKESESUL-bPSyYVmKwWWFRotg9e5NLAJ1X4V8Z0wQMq2YPDvtFNjyY4f5bS4Z4IvkxPnQbRozWP_gcbJLJC4IkSFdJxGVKECps8tqsJ_2fjjqRzI7Ae8B4/s1600/dress+3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-2Gpk1eQCoh8-sBkYD21xEHhKESESUL-bPSyYVmKwWWFRotg9e5NLAJ1X4V8Z0wQMq2YPDvtFNjyY4f5bS4Z4IvkxPnQbRozWP_gcbJLJC4IkSFdJxGVKECps8tqsJ_2fjjqRzI7Ae8B4/s400/dress+3.JPG" width="296" /></a></div>
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<span style="font-family: Georgia,"Times New Roman",serif;">Naturally
Lady Curzon wore additional foundation garments, including an up-to-the-minute boned and laced “s” corset, so this impression of the size of her waist (when so constricted) is actually quite
conservative. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Ew2p0JWBkBNmvCBcWvNEvrPZyjnKWci56amRsewp8JY-OLuuwqBbZ6jqRkH-Mf19YfxPTiBAbJnDCn3LFlA8ULEVDwzEaw9CmsUvZI2eZ-CEObJl1CbLdXY0cey_DSkZ0vfqazupEgVC/s1600/dress+4.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Ew2p0JWBkBNmvCBcWvNEvrPZyjnKWci56amRsewp8JY-OLuuwqBbZ6jqRkH-Mf19YfxPTiBAbJnDCn3LFlA8ULEVDwzEaw9CmsUvZI2eZ-CEObJl1CbLdXY0cey_DSkZ0vfqazupEgVC/s400/dress+4.JPG" width="326" /></a></div>
<span style="font-family: Georgia,"Times New Roman",serif;">The skirt came first, fastened with hooks to innumerable hand-stitched eyelets. Lady Curzon presumably stepped into it, but we had to very carefully lower it over her head.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDWs_d2ZIqnWbTXoPWEtCot1C4rxiwAsSXm16TpnLi9QZdSXMftOPebTNDPKA8kCvb6mTGGgARz0IXq2zuaK0JBsZMREhtMf-lhjq5compvzA9b9q2ZJbQQzqK6fQxkHQj3Xd9VJhZ_nrE/s1600/dress+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDWs_d2ZIqnWbTXoPWEtCot1C4rxiwAsSXm16TpnLi9QZdSXMftOPebTNDPKA8kCvb6mTGGgARz0IXq2zuaK0JBsZMREhtMf-lhjq5compvzA9b9q2ZJbQQzqK6fQxkHQj3Xd9VJhZ_nrE/s400/dress+5.jpg" width="400" /></a></div>
<span style="font-family: Georgia,"Times New Roman",serif;">Then came the bodice, very tight fitting and, like the skirt, extraordinarily heavy for its size (because of the bullion-work)...</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyh64j45ltZGPs1SCJ9cCCtdSXgFwARPJvdL5ZAnogD0SYEXH-45Visf8xy-xOlmLEzSpLH6w50MrqckCDPFU1URmxv_xnN14EsCpTV9n1WrUg2I3x-J2clKsJdSupP1wSj_5tIpwPVHQ_/s1600/dress+7.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyh64j45ltZGPs1SCJ9cCCtdSXgFwARPJvdL5ZAnogD0SYEXH-45Visf8xy-xOlmLEzSpLH6w50MrqckCDPFU1URmxv_xnN14EsCpTV9n1WrUg2I3x-J2clKsJdSupP1wSj_5tIpwPVHQ_/s400/dress+7.JPG" width="340" /></a></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;">...and finally the train, which you see here folded in three between layers of tissue paper. The front end of the train was secured with tapes around the waist, and these double bows finally tucked inside the front of the bodice.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAr_qLxc1MoJmHmm699zlSt13qo3xB2qAPqbe0890AqlkHkQbNXTLbgIalAx2DxnepI-hSbQu4SYp0DMpWsF5nKI0If1-OHwYPqaioyVLcuDfxTdTQgkvZ0eA7dxA1oOM9HdDeXaCbI_j2/s1600/dress+10.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAr_qLxc1MoJmHmm699zlSt13qo3xB2qAPqbe0890AqlkHkQbNXTLbgIalAx2DxnepI-hSbQu4SYp0DMpWsF5nKI0If1-OHwYPqaioyVLcuDfxTdTQgkvZ0eA7dxA1oOM9HdDeXaCbI_j2/s640/dress+10.JPG" width="476" /></a></div>
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;">This is the view that none of our visitors will have because I took the photograph through the rear of the case before it was firmly shut (for environmental control and light sensitivity). But it is helpful to explain why the train had to be arranged in this fluid manner, for to extend it fully would cause too much tension along the left edge. We had decided that it would be best to orient Lady Curzon to the front, a slightly less than three-quarters view, and to allow the train to create for her a graceful arc. Notice also that the skirt itself is possessed of a short but </span></span><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;">ample </span></span></span></span><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">“</span></span>bell</span></span></span></span><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="color: black;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">”</span></span> </span></span>train on its own, so all the bullion-work and embroidery on the back of it is therefore mostly covered by the removable train.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4J0VaBJ6m_PVDLpHLIvmX0FYdU0ElbxOeRzE75K8uwLuoH1jwE961ws_U9kKdQSiQJ7zP-6oghb822gu9h4lNK2dLG-26PoQZ4fXu9wKs8b05USYAk5mcouBykIQBI2YAQyWps-hd8mkU/s1600/dress+9.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4J0VaBJ6m_PVDLpHLIvmX0FYdU0ElbxOeRzE75K8uwLuoH1jwE961ws_U9kKdQSiQJ7zP-6oghb822gu9h4lNK2dLG-26PoQZ4fXu9wKs8b05USYAk5mcouBykIQBI2YAQyWps-hd8mkU/s320/dress+9.JPG" width="287" /></a></div>
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Here she is, making a graceful turn. Lady Curzon must have had at least one page to assist her with the train, possibly two, and it was only worn for the most formal ceremonies. The pungent Indian iconography of sprays of orchids dominates the decoration of the skirt and bodice, but the train adds to this the more squarely English clusters of oak leaves and other British vice-regal heraldic devices, and fuses both in a sequence of classicizing wreaths around the edges that culminate in three very large ones at the end of the train. It is a truly remarkable hybrid. Very few exercises in art museum display have taught me as much or given me as much pleasure and fascination over three or four magical hours as did this gradual re-animation of Mary Curzon’s </span><span style="font-size: small;">spectacular white satin “orchid” gown. Do please come and see it for yourselves.</span></span><br />
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Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com1tag:blogger.com,1999:blog-3200827855904170988.post-39730755418282066022013-02-17T06:57:00.000-05:002013-02-17T07:01:14.118-05:00The diamonds<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPDgMI1mqmwkDVcDzfGXx0NkEhv5gq9KEY43VCfOBxkg7j8u8TTeReizE0g2781zJOLL0S6FnmaIdPLUD9shjRmxQRtgDxzKkmMbAv1GonsImWkswVMJ4B46cUGTh6-axCFIgzrvdICJDT/s1600/photo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPDgMI1mqmwkDVcDzfGXx0NkEhv5gq9KEY43VCfOBxkg7j8u8TTeReizE0g2781zJOLL0S6FnmaIdPLUD9shjRmxQRtgDxzKkmMbAv1GonsImWkswVMJ4B46cUGTh6-axCFIgzrvdICJDT/s640/photo.jpg" width="476" /></a></div>
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<span style="font-family: Georgia;">Diamonds are impossible to
photograph. No image ever really captures the astonishing effects of color,
fire, and light in motion that are produced by these most fascinating stones—lumps
of pure carbon, compressed into atomic hardness by colossal pressure deep
inside the earth’s crust and at huge temperatures tens of millions of years
ago. A colleague recalls witnessing the funeral procession of Queen Elizabeth the Queen Mother, and the moment when, making
the wide turn from Clarence House onto the Mall, hard by his office in St.
James’s Palace, Her Majesty’s gun-carriage and catafalque, which was surmounted
by the queen-consort’s crown, caused the famous Koh-i-noor diamond mounted in
front to project an almost blinding searchlight-flash across the same wide arc,
and caught him by surprise. Yesterday we installed and secured the Manchester
tiara, and it was thrilling to observe a similar effect, but this time further
exploited by the master craftsmen of Cartier, ca. 1903. For the central portions of the
principal up-thrusting forms of this sumptuous jewel—actually flaming hearts of catholic
dogma—consist of stones artfully suspended in groups of three so that the
slightest motion will set the entire jewel alight. It is as if the light
emanates from within each stone, instead of simply bouncing off or passing
through it. In a world that especially for young people increasingly knows no
tangible difference between physical reality and virtual substitutes, it is heartening
to think that there is in the museum experience an opportunity to reach for the
ungraspable, and enjoy a visual experience that cannot happen any other way.
Magnificent jewels may also prompt ruminations upon the astounding excesses of
elite consumption, but this is also healthy. I daresay many New Englanders will
judge the Manchester tiara to veer dangerously towards a region of high
vulgarity that is difficult to approach without the crampons and heavy lifting
gear afforded by immense wealth. I tried to imagine what it must have felt like
to wear this spectacular jewel, as the Duchess of Manchester undoubtedly did. At
least satisfying, I should think, and probably exciting too. Good looks, decent teeth, clear skin are
simply irrelevant when you have something as visually amazing perched on top of
your head. However, I suspect I may be old-fashioned in attaching rather more
importance to the purely aesthetic impact of this great jewel. It consists,
after all, of hundreds of old-cut diamonds, dozens of them whoppers—strobing, glinting,
flashing out of the colorless clarity of their hand-made facets bright and
paradoxical little murmurings of green, orange, yellow, and blue. Nothing
better captures the supreme self-confidence of a ruling elite than the
Manchester tiara. Through the Edwardian decade that aristocracy knew it was dancing
on the rim of a volcano, and I suppose there were no better or surer guarantees
attaching to their self-confidence than today</span><span style="font-family: Georgia;"><span style="font-family: Georgia;">’s</span> Wall Street plutocrats presume they too enjoy. </span></div>
Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com0tag:blogger.com,1999:blog-3200827855904170988.post-18974361200472643552013-02-15T11:56:00.000-05:002013-02-16T12:48:20.335-05:00Miss Preston<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_FTIacNnemvm03fI1ft0h4jC_2hcOWOKGr4ZPA_aIGxSN_EHsijO_JSQzwCHXJinzU70_26HDW2VfLCcBkwMddfNLdaD-wzJpPvv1QLGmU0G1s_3w3wV1tl-qOMwYHPIm3gi12-XaW-9j/s1600/Alison..JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_FTIacNnemvm03fI1ft0h4jC_2hcOWOKGr4ZPA_aIGxSN_EHsijO_JSQzwCHXJinzU70_26HDW2VfLCcBkwMddfNLdaD-wzJpPvv1QLGmU0G1s_3w3wV1tl-qOMwYHPIm3gi12-XaW-9j/s400/Alison..JPG" width="298" /></a></div>
<span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">Mr.
John Proctor and Miss Alison Preston have arrived from Perth, Western
Australia, thanks to the generosity of Wesfarmers Limited. This beautifully-painted action
portrait by the Australian expatriate George Washington Lambert, the father of
the composer Constant Lambert, was originally exhibited as <i style="mso-bidi-font-style: normal;">Mearbeck Moor</i>, probably to avoid raising indelicate questions as to
the exact character of the relationship between a middle-aged gentleman and a
much younger lady with different surnames posing together in the same portrait. In fact they were
uncle and niece, and the atmosphere of the salubrious outdoor exercise and country sport are
perhaps also misleading. Mr. Proctor was a London barrister, a professional man
whose authoritative pose as a huntsman and maybe squire is therefore strongly aspirational
in tone. I wonder also if the al-fresco cigar, a Cohiba Robustos surely, encodes a hint of metropolitan taste that is slightly at odds with the briskness of a day out riding on the moor, and even slightly vulgar.</span><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%;"> </span>The brilliant part about getting hold of the objects in an exhibition
and having an opportunity to examine them again at close quarters and for some
considerable time is that you notice many new and intriguing things. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz0Wx_uOHC1GMCFBqihPomfoQusUcwPZ9AX4JqvNg6L8lexhL3TSSezirl49nSO_2Zslw-eVmRROPSPU86tLsZiUSNCOEpLn10b4lTHLkouUo6va_sqaGD9pO_g2kicnbROkLbAI1ZYGlP/s1600/Alison1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz0Wx_uOHC1GMCFBqihPomfoQusUcwPZ9AX4JqvNg6L8lexhL3TSSezirl49nSO_2Zslw-eVmRROPSPU86tLsZiUSNCOEpLn10b4lTHLkouUo6va_sqaGD9pO_g2kicnbROkLbAI1ZYGlP/s400/Alison1.JPG" width="298" /></a></div>
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<![endif]--><span style="font-family: "Georgia","serif"; font-size: 12.0pt; line-height: 115%;">So it was not until last evening that I grasped that Miss
Preston is wearing a pince-nez, or possibly spectacles, which I suppose seems prudent
but rather inconvenient when riding side-saddle. She must have needed them.
Alison Preston is an interesting figure, because the very fact that she is
participating in a hunt at all, and on horseback, implies an independent-mindedness
and a definitely progressive spirit that underlies this particular social gathering, and certainly her own
cheerful participation in it. Edwardian ladies did not usually go out shooting. Indeed, the late
Princess Alice, Duchess of Gloucester, remembered her father-in-law King George
V being genuinely shocked to learn that she firmly intended to accompany the
Duke when he went stalking at Balmoral. And that was in 1935. Given the longstanding
conventions of portraiture, the wearing of spectacles is always noteworthy:
Reynolds made no secret of his, on the contrary. Whistler positively advertised his rimless
monocles. But it is nevertheless most unusual for young women to be portrayed wearing specs.
A tactful artist might have chosen to omit them, and some ladies may also have preferred to be portrayed without. That Miss Preston wears hers
here strongly suggests to me that the detail existed either with her blessing, or possibly at her instigation. I like her choice of hatpin, too: a
jumbo South Sea pearl to go with the riding outfit. Splendid! </span>Angus Trumblehttp://www.blogger.com/profile/03350040368046577016noreply@blogger.com3